LEADER 04304nam 2200721Ia 450 001 9910455074203321 005 20210624013610.0 010 $a1-280-49212-0 010 $a9786613587350 010 $a0-520-93515-2 010 $a0-585-17648-5 024 7 $a10.1525/9780520935150 035 $a(CKB)111004366721792 035 $a(EBL)887279 035 $a(OCoLC)45727649 035 $a(SSID)ssj0000105943 035 $a(PQKBManifestationID)11133686 035 $a(PQKBTitleCode)TC0000105943 035 $a(PQKBWorkID)10106177 035 $a(PQKB)11379026 035 $a(MiAaPQ)EBC887279 035 $a(DE-B1597)520357 035 $a(OCoLC)1114831711 035 $a(DE-B1597)9780520935150 035 $a(Au-PeEL)EBL887279 035 $a(CaPaEBR)ebr10552233 035 $a(CaONFJC)MIL358735 035 $a(EXLCZ)99111004366721792 100 $a19970808d1998 ub 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aArt of the gold rush$b[electronic resource] /$fJanice T. Driesbach, Harvey L. Jones, and Katherine Church Holland 210 $aBerkeley, Calif. $cUniversity of California Press$dc1998 215 $a1 online resource (167 p.) 300 $aCatalog of an exhibition held at the Oakland Museum of California, Oakland, Calif., Jan. 24-May 31, 1998; Crocker Art Museum, Sacramento, Calif., June 20-Sept. 13, 1998; National Museum of American Art, Smithsonian Institution, Washington, D.C., Dec. 30, 1998- Mar. 7, 1999. 311 0 $a0-520-21431-5 311 0 $a0-520-21432-3 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tForeword --$tAcknowledgments --$tLenders to the Exhibition --$tIntroduction --$tFirst in the Field --$tScenes of Mining Life --$tPortrait Painter to the Elite --$tThe Hessian Party --$tSouvenirs of the Mother Lode --$tMining the Picturesque --$tIn the Wake of the Gold Rush --$tSentiment and Nostalgia --$tBiographies of the Artists --$tNotes --$tSelected Bibliography --$tArtists Represented in the Exhibition --$tIndex 330 $aThe California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories-particularly the American belief in the rewards of hard work and enterprise-can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history. 606 $aArt, American$zCalifornia$y19th century$vExhibitions 606 $aGold mines and mining in art 607 $aCalifornia$xGold discoveries$vPictorial works$vExhibitions 608 $aElectronic books. 615 0$aArt, American 615 0$aGold mines and mining in art. 676 $a759.194/07494 700 $aDriesbach$b Janice Tolhurst$01047339 701 $aJones$b Harvey$f1935-$01047340 701 $aHolland$b Katherine Church$01047341 712 02$aOakland Museum. 712 02$aCrocker Art Museum. 712 02$aNational Museum of American Art (U.S.) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455074203321 996 $aArt of the gold rush$92474846 997 $aUNINA LEADER 02194nam 2200541 a 450 001 9910141597103321 005 20251116161847.0 010 $a9780191746291 : (ebk : Oxford) 010 $a9780191641169 : (ebk : Oxford) 010 $a9780191641152 : (ebk : Oxford) 035 $a(MiAaPQ)EBC7033267 035 $a(Au-PeEL)EBL7033267 035 $a(StDuBDS)EDZ0000125144 035 $a(MiAaPQ)EBC1192568 035 $a(MiAaPQ)EBC4701790 035 $a(MiAaPQ)EBC5825770 035 $a(CKB)2670000000357060 035 $a(OCoLC)843882901 035 $a(EXLCZ)992670000000357060 100 $a20130404d2013 fy| 0 101 0 $aeng 135 $aurmn#|||uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aApplicable law in investor-state arbitration $ethe interplay between national and international law /$fHege Elisabeth Kjos 210 $aOxford $cOxford University Press$d2013 215 $axxvii, 314p 225 1 $aOxford monographs in international law 300 $aIncludes index. 320 $aIncludes bibliographical references and index. 330 8 $aInvestment arbitration has become the key forum to settle disputes between investors and the host state. It is not clear from the arbitration agreements which body of law the arbitrators should apply: national or international. This book examines how the legal framework which the arbitral panels operate in influences which body of law they apply. 410 0$aOxford monographs in international law. 606 $aInvestments, Foreign (International law) 606 $aArbitration and award 606 $aInternational commercial arbitration 606 $aInvestments, Foreign$xLaw and legislation 615 0$aInvestments, Foreign (International law) 615 0$aArbitration and award. 615 0$aInternational commercial arbitration. 615 0$aInvestments, Foreign$xLaw and legislation. 676 $a346.092 700 $aKjos$b Hege Elisabeth$0914999 801 0$bStDuBDS 801 1$bStDuBDS 912 $a9910141597103321 996 $aApplicable law in investor-state arbitration$92050493 997 $aUNINA