LEADER 04505nam 2200781 a 450 001 9910455062203321 005 20200520144314.0 010 $a1-283-64630-7 010 $a0-520-92150-X 010 $a0-585-07949-8 024 7 $a10.1525/9780520921504 035 $a(CKB)111004366721818 035 $a(EBL)1040630 035 $a(OCoLC)815667346 035 $a(SSID)ssj0000234748 035 $a(PQKBManifestationID)11199779 035 $a(PQKBTitleCode)TC0000234748 035 $a(PQKBWorkID)10241091 035 $a(PQKB)10655721 035 $a(MiAaPQ)EBC1040630 035 $a(DE-B1597)520505 035 $a(OCoLC)44962209 035 $a(DE-B1597)9780520921504 035 $a(Au-PeEL)EBL1040630 035 $a(CaPaEBR)ebr10611518 035 $a(CaONFJC)MIL395880 035 $a(EXLCZ)99111004366721818 100 $a19980507d1999 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRefried Elvis$b[electronic resource] $ethe rise of the Mexican counterculture /$fEric Zolov 210 $aBerkeley $cUniversity of California Press$d1999 215 $a1 online resource (365 p.) 300 $aDescription based upon print version of record. 311 $a0-520-20866-8 311 $a0-520-21514-1 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction --$t1. Rebeldismo in the Revolutionary Family --$t2. Containing the Rock Gesture --$t3. La Onda --$t4. La Onda in the Wake of TlateIolco --$t5. La Onda Chicana --$t6. The Avrindaro Rock Festival --$t7. A Critique of the - "Obvious Imperialist" --$tConclusions --$tNotes --$tBibliography --$tPermission Credits --$tIndex 330 $aThis powerful study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society, and culture. From the arrival of Elvis in Mexico during the 1950's to the emergence of a full-blown counterculture movement by the late 1960's, Eric Zolov uses rock and roll to illuminate Mexican history through these charged decades and into the 1970's. This fascinating narrative traces the rechanneling of youth energies away from political protest in the wake of the 1968 student movement and into counterculture rebellion, known as La Onda (The Wave). Refried Elvis accounts for the events of 1968 and their aftermath by revealing a mounting crisis of patriarchal values, linked both to the experience of modernization during the 1950's and 1960's and to the limits of cultural nationalism as promoted by a one-party state. Through an engrossing analysis of music and film, as well as fanzines, newspapers, government documents, company reports, and numerous interviews, Zolov shows how rock music culture became a volatile commodity force, whose production and consumption strategies were shaped by intellectuals, state agencies, transnational and local capital, musicians, and fans alike. More than a history of Mexican rock and roll, Zolov's study demonstrates the politicized nature of culture under authoritarianism, and offers a nuanced discussion of the effects of cultural imperialism that deepens our understanding of gender relations, social hierarchies, and the very meanings of national identity in a transnational era. 517 3 $aRise of the Mexican counterculture 606 $aYouth movements$zMexico$zMexico City$xHistory$y20th century 606 $aRock music$zMexico$xHistory and criticism 606 $aMusic$xSocial aspects$zMexico$xHistory$y20th century 606 $aPolitics and culture$zMexico$xHistory$y20th century 606 $aSocial values$zMexico$xHistory$y20th century 606 $aNationalism$zMexico$xHistory$y20th century 607 $aMexico$xCivilization$y20th century 607 $aMexico$xPolitics and government$y1946-1970 607 $aMexico$xPolitics and government$y1970-1988 608 $aElectronic books. 615 0$aYouth movements$xHistory 615 0$aRock music$xHistory and criticism. 615 0$aMusic$xSocial aspects$xHistory 615 0$aPolitics and culture$xHistory 615 0$aSocial values$xHistory 615 0$aNationalism$xHistory 676 $a972.08/3 700 $aZolov$b Eric$0906682 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455062203321 996 $aRefried Elvis$92457352 997 $aUNINA