LEADER 03906nam 22006374a 450 001 9910454964503321 005 20200520144314.0 010 $a1-282-15891-0 010 $a9786612158919 010 $a1-4008-2716-7 024 7 $a10.1515/9781400827169 035 $a(CKB)1000000000788573 035 $a(EBL)457729 035 $a(OCoLC)505073265 035 $a(SSID)ssj0000243627 035 $a(PQKBManifestationID)11212241 035 $a(PQKBTitleCode)TC0000243627 035 $a(PQKBWorkID)10159728 035 $a(PQKB)10331591 035 $a(MiAaPQ)EBC457729 035 $a(MdBmJHUP)muse36235 035 $a(DE-B1597)446327 035 $a(OCoLC)979578492 035 $a(DE-B1597)9781400827169 035 $a(Au-PeEL)EBL457729 035 $a(CaPaEBR)ebr10312633 035 $a(CaONFJC)MIL215891 035 $a(EXLCZ)991000000000788573 100 $a20051011d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSelected writings on aesthetics$b[electronic resource] /$fJohann Gottfried Herder ; translated and edited by Gregory Moore 205 $aCourse Book 210 $aPrinceton $cPrinceton University Press$dc2006 215 $a1 online resource (467 p.) 300 $aTranslated from the German. 311 $a0-691-11595-8 320 $aIncludes bibliographical references (p. [445]-447) and index. 327 $aIs the beauty of the body a herald of the beauty of the soul? -- A monument to Baumgarten -- Critical forest, or reflections on the art and science of the beautiful: first grove, dedicated to Mr. Lessing's Laocoo?n -- Critical forests: fourth grove, on Riedel's Theory of the beaux arts -- Shakespeare -- The causes of sunken taste among the different peoples in whom it once blossomed -- On the influence of the belles lettres on the higher sciences -- Does painting or music have a greater effect?: a divine colloquy -- On image, poetry, and fable. 330 $aA seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view. 606 $aAesthetics 608 $aElectronic books. 615 0$aAesthetics. 676 $a111/.85 700 $aHerder$b Johann Gottfried$f1744-1803.$0290444 701 $aMoore$b Gregory$f1972-$01031213 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454964503321 996 $aSelected writings on aesthetics$92489025 997 $aUNINA LEADER 03555nam 2200709 a 450 001 9910970205603321 005 20251002183346.0 010 $a1-78402-669-7 010 $a1-283-86454-1 010 $a0-8135-5218-4 024 7 $a10.36019/9780813552187 035 $a(CKB)2670000000154953 035 $a(OCoLC)777375657 035 $a(CaPaEBR)ebrary10535584 035 $a(SSID)ssj0000688526 035 $a(PQKBManifestationID)11437276 035 $a(PQKBTitleCode)TC0000688526 035 $a(PQKBWorkID)10607517 035 $a(PQKB)10794436 035 $a(MdBmJHUP)muse17482 035 $a(DE-B1597)529034 035 $a(DE-B1597)9780813552187 035 $a(Au-PeEL)EBL861454 035 $a(CaPaEBR)ebr10535584 035 $a(CaONFJC)MIL417704 035 $a(OCoLC)1163878356 035 $a(MiAaPQ)EBC861454 035 $a(EXLCZ)992670000000154953 100 $a20110330d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDigital visual effects in cinema $ethe seduction of reality /$fStephen Prince 205 $a1st ed. 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2012 215 $a1 online resource (270 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a0-8135-5185-4 320 $aIncludes bibliographical references and index. 327 $aIntroduction : beyond spectacle -- Through the looking glass -- Painting with digital light -- Actors and algorithms -- Digital environment creation -- Immersive aesthetics -- Conclusion : the pleasures of illusion. 330 $aAvatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects?driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today. 606 $aMotion picture industry$xTechnological innovations 606 $aMotion pictures$xAesthetics 606 $aDigital cinematography 606 $aCinematography$xSpecial effects 606 $aCinematography$xTechnological innovations 615 0$aMotion picture industry$xTechnological innovations. 615 0$aMotion pictures$xAesthetics. 615 0$aDigital cinematography. 615 0$aCinematography$xSpecial effects. 615 0$aCinematography$xTechnological innovations. 676 $a778.5/3 700 $aPrince$b Stephen$f1955-$0778741 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970205603321 996 $aDigital visual effects in cinema$94443357 997 $aUNINA