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100   $a20180331d2001      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aErotic ambiguities $ethe female nude in art /$fHelen McDonald
210  1$aLondon ;$aNew York :$cRoutledge,$d2001.
215   $a1 online resource (264 p.)
300   $aDescription based upon print version of record.
311   $a0-415-17099-0 
311   $a0-415-17098-2 
320   $aIncludes bibliographical references and index.
327   $aCover; EROTIC AMBIGUITIES: The female nude in art; Copyright; CONTENTS; PLATES; ACKNOWLEDGEMENTS; INTRODUCTION; 1 FEMINISM, AMBIGUITY AND THE IDEAL; 2 RE-VISIONING THE FEMALE NUDE; 3 HISTORICAL AMBIGUITY; 4 SEEING AMBIGUITY; 5 GENDER AMBIGUITY; 6 MAKING A DIFFERENCE WITH AMBIGUITY; 7 TURNING AMBIGUITY AROUND; 8 HYBRID AMBIGUITIES; CONCLUSION; NOTES; REFERENCES; INDEX
330   $aArt is always ambiguous. When it involves the female body it can also be erotic. Erotic Ambiguities is a study of how contemporary women artists have reconceptualised the figure of the female nude. Helen McDonald shows how, over the past thirty years, artists have employed the idea of ambiguity to dismantle the exclusive, classical ideal enshrined in the figure of the nude, and how they have broadened the scope of the ideal to include differences of race, ethnicity, sexuality and disability as well as gender.McDonald discusses the work of a wide range of women artists, including B
606   $aFemale nude in art
606   $aFeminism in art
606   $aGender identity in art
606   $aWomen artists$xPsychology
608   $aElectronic books.
615  0$aFemale nude in art.
615  0$aFeminism in art.
615  0$aGender identity in art.
615  0$aWomen artists$xPsychology.
676   $a704.9424
700   $aMcDonald$b Helen$f1949,$0946387
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910454876903321
996   $aErotic ambiguities$92138209
997   $aUNINA