LEADER 03461oam 2200577I 450 001 9910454864303321 005 20200520144314.0 010 $a1-134-69906-9 010 $a1-280-31871-6 010 $a0-203-44840-5 024 7 $a10.4324/9780203448403 035 $a(CKB)111056485533610 035 $a(SSID)ssj0000230742 035 $a(PQKBManifestationID)11193951 035 $a(PQKBTitleCode)TC0000230742 035 $a(PQKBWorkID)10196411 035 $a(PQKB)10816343 035 $a(MiAaPQ)EBC170461 035 $a(Au-PeEL)EBL170461 035 $a(CaPaEBR)ebr10054676 035 $a(CaONFJC)MIL31871 035 $a(OCoLC)437078875 035 $a(OCoLC)51915009 035 $a(EXLCZ)99111056485533610 100 $a20180706d1999 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPunk rock, so what? $ethe cultural legacy of punk /$fedited by Roger Sabin 210 1$aLondon ;$aNew York :$cRoutledge,$d1999. 215 $axi, 247 p. $cill 300 $aDowntown copy is from the library of Richard Hell.$5NNU 311 $a0-415-17029-X 311 $a0-415-17030-3 320 $aIncludes bibliographical references and index. 327 $tchapter INTRODUCTION /$rRoger Sabin -- $tpart Part I SHOCK WAVES AND RIPPLE EFFECTS -- $tchapter 1 TOO LOW TO BE LOW -- $tArt pop and the Sex Pistols /$rRobert Garnett -- $tchapter 2 Misfit lit: ?Punk writing?, and representations of punk -- $t?Punk writing?, and representations of punk through writing and publishing /$rMiriam Rivett -- $tchapter 3 ?I?m so bored with the USA? -- $tThe punk in cyberpunk /$rGeorge Mckay -- $tchapter 4 Tinseltown rebellion: Punk, transgression and a -- $tPunk, transgression and conversation with Richard Baylor /$rDavid kerekes -- $tchapter 5 ?Ever get the feeling you?ve been cheated??: Anarchy and -- $tAnarchy and control in the Great Rock ?n? Roll Swindle /$rDavid Huxley -- $tchapter 6 ?I like Hate and I hate everything else? : The influence of -- $tThe influence of punk on comics /$rGuy Lawley -- $tchapter 7 Concrete, so as to self-destruct: The etiquette of punk, its -- $tThe etiquette of punk, its habits, rules, values and dilemmas /$rMark Sinker -- $tpart Part II EXPERIENCE, MEMORY AND HISTORIOGRAPHY -- $tchapter 8 Distress to impress?: Local punk fashion and commodity -- $tLocal punk fashion and commodity exchange /$rFrank Cartledge -- $tchapter 9 ?Chewing out a rhythm on my bubble-gum?: The teenage -- $tThe teenage aesthetic and genealogies of American punk /$rBill Osgerby -- $tchapter 10 ?LEAVE THE CAPITOL? /$rPaul Cobley -- $tchapter 11 THE WOMAN PUNK MADE ME /$rLucy O?Brien -- $tchapter 12 ?I WON?T LET THAT DAGO BY? -- $tRethinking punk and racism /$rRoger Sabin -- $tchapter 13 WHAT DID I GET? -- $tPunk, memory and autobiography /$rAndy Medhurst -- $tchapter 14 IS THAT ALL THERE IS? /$rSuzanne Moore. 606 $aPunk rock music$xHistory and criticism 606 $aAlternative rock music$xHistory and criticism 608 $aElectronic books. 615 0$aPunk rock music$xHistory and criticism. 615 0$aAlternative rock music$xHistory and criticism. 676 $a781.66 701 $aSabin$b Roger$f1961-$0440218 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910454864303321 996 $aPunk rock, so what$92038436 997 $aUNINA