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100   $a20070619d2008      ub             0
101 0 $aeng
135   $aur||#||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe decline of sentiment$b[electronic resource] $eAmerican film in the 1920s /$fLea Jacobs
210   $aBerkeley $cUniversity of California Press$dc2008
215   $a1 online resource (373 p.)
300   $a"Simpson, imprint in humanities."
311   $a0-520-25457-0 
311   $a0-520-23701-3 
320   $aIncludes bibliographical references (p. 315-326) and index.
320   $aIncludes filmography: p. 327-341.
327   $tFront matter --$tContents --$tPreface --$t1. Toward a History of Taste --$t2. Hollywood Naturalism --$t3. Sophisticated Comedy --$t4. The Male Adventure Story --$t5. The Seduction Plot --$t6. The Romantic Drama --$tAfterword --$tNotes --$tBibliography --$tFilmography --$tIndex
330   $aThe Decline of Sentiment seeks to characterize the radical shifts in taste that transformed American film in the jazz age. Based upon extensive reading of trade papers and the popular press of the day, Lea Jacobs documents the films and film genres that were considered old-fashioned, as well as those dubbed innovative and up-to-date, and looks closely at the works of filmmakers such as Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, and Monta Bell, among many others. Her analysis-focusing on the influence of literary naturalism on the cinema, the emergence of sophisticated comedy, and the progressive alteration of the male adventure story and the seduction plot-is a comprehensive account of the modernization of classical Hollywood film style and narrative form.
606   $aMotion pictures$zUnited States$xHistory
606   $aSilent films$zUnited States$xHistory and criticism
606   $aMelodrama in motion pictures
608   $aElectronic books.
615  0$aMotion pictures$xHistory.
615  0$aSilent films$xHistory and criticism.
615  0$aMelodrama in motion pictures.
676   $a791.43/75
700   $aJacobs$b Lea$0165930
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910454850503321
996   $aThe decline of sentiment$92380607
997   $aUNINA