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101 0 $aeng
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181   $ctxt
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200 10$aWestern Music and Its Others$b[electronic resource] $eDifference, Representation, and Appropriation in Music
210   $aBerkeley $cUniversity of California Press$d2000
215   $a1 online resource (373 p.)
300   $aDescription based upon print version of record.
311   $a0-520-22083-8 
327   $aPreliminaries; CONTENTS; Introduction; 1. Musical Belongings: Western Music and Its Low-Other; 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril"; 3. Barto?k, the Gypsies, and Hybridity in Music; 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940; 5. Experimental Oriental: New Music and Other Others; 6. Composing the Cantorate: Westernizing Europe's Other Within; 7. East, West, and Arabesk; 8. Scoring the Indian: Music in the Liberal Western; 9. The Poetics and Politics of Pygmy Pop; 10. International Times: Fusions, Exoticism
327   $a11. The Discourse of World Musiccontributors; index
330   $aThis innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind.
606   $aMusic
606   $aMusic-- 20th century-- Social aspects
606   $aMusic$xSocial aspects
606   $aMusic Philosophy$2HILCC
606   $aMusic$2HILCC
606   $aMusic, Dance, Drama & Film$2HILCC
608   $aElectronic books.
615  4$aMusic.
615  4$aMusic-- 20th century-- Social aspects.
615  0$aMusic$xSocial aspects
615  7$aMusic Philosophy
615  7$aMusic
615  7$aMusic, Dance, Drama & Film
676   $a780.9
676   $a781.6
700   $aBorn$b Georgina$0883318
701   $aHesmondhalgh$b David$0472559
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801  2$bAU-PeEL
906   $aBOOK
912   $a9910454836003321
996   $aWestern Music and Its Others$91973016
997   $aUNINA