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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFrom fetish to subject$b[electronic resource] $erace, modernism, and primitivism, 1919-1935 /$fCarole Sweeney
210   $aWestport, Conn. $cPraeger Publishers$d2004
215   $a1 online resource (174 p.)
300   $aDescription based upon print version of record.
311   $a0-275-97747-1 
320   $aIncludes bibliographical references (p. [143]-156) and index.
327   $aConstructing the modern primitive -- "I'll say it's getting darker and darker in Paris" : Josephine Baker and La revue ne?gre -- Black woman/colonial body -- "Go to Harlem, it's sharper there" : negro : an anthology (1934) -- "A conceptual swindle" : surrealism, race and anticolonialism -- Diaspora and resistance : a 'French' black Atlantic and counterprimitivism.
330   $aWas modern primitivism complicit with the ideologies of colonialism, or was it a multivalent encounter with difference? Examining race and modernism through a wider and more historically contextualized study, Sweeney brings together a variety of published and new scholarship to expand the discussion on the links between modernism and primitivism. Tracing the path from Dada and Surrealism to Josephine Baker and Nancy Cunard's Negro: An Anthology, she shows the development of ne?grophilie from the interest in black cultural forms in the early 1920s to a more serious engagement with difference and
606   $aBlack people
606   $aPrimitivism
606   $aCivilization, Modern
606   $aImperialism$xSocial aspects
608   $aElectronic books.
615  0$aBlack people.
615  0$aPrimitivism.
615  0$aCivilization, Modern.
615  0$aImperialism$xSocial aspects.
676   $a305.896
700   $aSweeney$b Carole$0883885
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910454819203321
996   $aFrom fetish to subject$91974042
997   $aUNINA