LEADER 03758nam 22006732 450 001 9910454796903321 005 20151005020620.0 010 $a1-107-12191-4 010 $a0-511-48946-3 010 $a0-511-17448-9 010 $a0-511-30367-X 010 $a0-511-04706-1 010 $a1-280-43287-X 010 $a0-521-79686-5 010 $a0-511-15442-9 035 $a(CKB)111056485624628 035 $a(EBL)202416 035 $a(OCoLC)475917920 035 $a(SSID)ssj0000207675 035 $a(PQKBManifestationID)11954583 035 $a(PQKBTitleCode)TC0000207675 035 $a(PQKBWorkID)10238170 035 $a(PQKB)11400943 035 $a(UkCbUP)CR9780511489464 035 $a(MiAaPQ)EBC202416 035 $a(PPN)183062612 035 $a(Au-PeEL)EBL202416 035 $a(CaPaEBR)ebr10001840 035 $a(CaONFJC)MIL43287 035 $a(EXLCZ)99111056485624628 100 $a20090227d2001|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMyth, mind, and the screen $eunderstanding the heroes of our times /$fJohn Izod$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2001. 215 $a1 online resource (xi, 237 pages) $cdigital, PDF file(s) 225 0 $aCambridge studies in criminology Myth, mind, and the screen 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-79253-3 311 $a0-511-01819-3 320 $aIncludes bibliographical references (p. 223-229) and index. 327 $a1. Jungian theory, textual analysis and audience play -- 2. Archetypal images: signification and the psyche -- 3. Archetypal images: symbols and the cultural unconscious -- 4. The Piano, the animus and colonial experience -- 5. The pop star as icon. Androgyny and stardom: cultural meanings of Michael Jackson. A goddess who comes? Madonna as trickster -- 6. The quest of a female hero: The Silence of the Lambs -- 7. Television sport and the sacrificial hero -- 8. The polycentred self: The Passion of Darkly Noon -- 9. Haunted: searching for the whole self -- 10. Transforming the final ghost: the god within -- Glossary of Jungian and related terms. 330 $aMyth, Mind and the Screen is a systematic attempt to apply Jungian theory to the analysis of films (including 2001: A Space Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport. Through these and other examples, John Izod shows how Jungian theory can bring tools to film and media studies and ways of understanding screen images and narratives. He also demonstrates how Jungian analysis can provide us with insights into the psychological dimensions of contemporary mythology and the subjective experience of audiences. Perhaps most controversially, he argues that in the Western world cinema and television bear much of the responsibility for collective emotional mediation that in previous centuries was borne by organised religion. This 2001 book is a valuable resource for students of film and media studies, cultural studies and psychoanalytic studies. 517 3 $aMyth, Mind & the Screen 606 $aMotion pictures$xPsychological aspects 606 $aTelevision$xPsychological aspects 615 0$aMotion pictures$xPsychological aspects. 615 0$aTelevision$xPsychological aspects. 676 $a791.43/01/9 700 $aIzod$b John$f1940-$0848878 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910454796903321 996 $aMyth, mind, and the screen$91895936 997 $aUNINA