LEADER 03835nam 2200709 a 450 001 9910454788103321 005 20211004223204.0 010 $a9786612356629 010 $a1-282-35662-3 010 $a0-520-92694-3 010 $a1-59734-988-7 024 7 $a10.1525/9780520926943 035 $a(CKB)111056485642020 035 $a(EBL)223496 035 $a(OCoLC)475928168 035 $a(SSID)ssj0000269047 035 $a(PQKBManifestationID)11208250 035 $a(PQKBTitleCode)TC0000269047 035 $a(PQKBWorkID)10243221 035 $a(PQKB)11357436 035 $a(StDuBDS)EDZ0000056139 035 $a(MiAaPQ)EBC223496 035 $a(MdBmJHUP)muse30599 035 $a(DE-B1597)518717 035 $a(OCoLC)614597723 035 $a(DE-B1597)9780520926943 035 $a(Au-PeEL)EBL223496 035 $a(CaPaEBR)ebr10051552 035 $a(CaONFJC)MIL235662 035 $a(EXLCZ)99111056485642020 100 $a20010411d2002 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aWar, memory, and the politics of humor$b[electronic resource] $ethe Canard enchai?ne? and World War I /$fAllen Douglas 210 $aBerkeley $cUniversity of California Press$dc2002 215 $a1 online resource (347 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-22876-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tPreface and Acknowledgments --$tIntroduction --$t1. Satire and Censorship --$t2. Verbal and Visual, Humor and Politics --$t3. Unstuffing Skulls --$t4. The Tears of L'Intran --$t5. Soldiers versus Profiteers --$t6. In Vino Veritas --$t7. Peace or Postwar --$t8. Web of Memory --$t9. Between Cannibalism and Resurrection --$t10. Anti-Imperialism and Its Stereotypes --$t11. Politics as Usual --$t12. Canard Economics, or the Costs of the War --$t13. The Wealth of Nations --$t14. Conclusion --$tNotes --$tIndex 330 $aWar, Memory, and the Politics of Humor features carnage and cannibalism, gender and cross-dressing, drunks and heroes, militarism and memory, all set against the background of World War I France. Allen Douglas shows how a new satiric weekly, the Canard Enchaîné, exploited these topics and others to become one of France's most influential voices of reaction to the Great War. The Canard, still published today, is France's leading satiric newspaper and the most successful periodical of the twentieth century, and Douglas colorfully illuminates the mechanisms of its unique style. Following the Canard from its birth in 1915 to the eve of the Great Depression, the narrative reveals a heady mix of word play, word games, and cartoons. Over the years the journal--generally leftist, specifically antimilitarist and anti-imperialist--aimed its shots in all directions, using some stereotypes the twenty-first century might find unacceptable. But Douglas calls its humor an affirmation of life, and as such the most effective antidote to war. 606 $aWorld War, 1914-1918$vHumor 606 $aFrench wit and humor$xHistory and criticism 606 $aSatire, French$xHistory and criticism 606 $aWorld War, 1914-1918$xPress coverage$zFrance 608 $aElectronic books. 615 0$aWorld War, 1914-1918 615 0$aFrench wit and humor$xHistory and criticism. 615 0$aSatire, French$xHistory and criticism. 615 0$aWorld War, 1914-1918$xPress coverage 676 $a940.3/02/07 700 $aDouglas$b Allen$f1949-$01028743 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454788103321 996 $aWar, memory, and the politics of humor$92444833 997 $aUNINA