LEADER 02263nam 2200685Ia 450 001 9910454728103321 005 20200520144314.0 010 $a0-19-159726-0 010 $a0-19-151957-X 010 $a9786612051937 010 $a1-282-05193-8 035 $a(CKB)1000000000756382 035 $a(EBL)3053383 035 $a(OCoLC)328465113 035 $a(SSID)ssj0000132549 035 $a(PQKBManifestationID)12018664 035 $a(PQKBTitleCode)TC0000132549 035 $a(PQKBWorkID)10038603 035 $a(PQKB)10177792 035 $a(SSID)ssj0000086132 035 $a(PQKBManifestationID)12007063 035 $a(PQKBTitleCode)TC0000086132 035 $a(PQKBWorkID)10025162 035 $a(PQKB)10859079 035 $a(StDuBDS)EDZ0000075549 035 $a(MiAaPQ)EBC3053383 035 $a(Au-PeEL)EBL3053383 035 $a(CaPaEBR)ebr10288487 035 $a(CaONFJC)MIL205193 035 $a(EXLCZ)991000000000756382 100 $a19920807d1993 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCritical aesthetics and postmodernism$b[electronic resource] /$fPaul Crowther 210 $aOxford $cClarendon Press ;$aNew York $cOxford University Press$d1993 215 $a1 online resource (231 p.) 300 $aDescription based upon print version of record. 311 $a0-19-823623-9 311 $a0-19-824037-6 320 $aIncludes bibliographical references and index. 330 8 $aKant's theory of the sublime has become one of the most keenly studied elements in both his own aesthetics and aesthetic theory in general. This book offers a sustained analysis of Kant's theory of the sublime as found throughout his critical philosophy. 606 $aPostmodernism 606 $aAesthetics 606 $aAesthetics, Modern$y20th century 608 $aElectronic books. 615 0$aPostmodernism. 615 0$aAesthetics. 615 0$aAesthetics, Modern 676 $a111/.85 700 $aCrowther$b Paul$0170369 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454728103321 996 $aCritical aesthetics and postmodernism$92128898 997 $aUNINA LEADER 02001nam 2200433 450 001 9910466718003321 005 20200120104254.0 010 $a2-335-00432-8 035 $a(CKB)3790000000023744 035 $a(EBL)2086952 035 $a(MiAaPQ)EBC2086952 035 $a(Au-PeEL)EBL2086952 035 $a(OCoLC)914148093 035 $a(EXLCZ)993790000000023744 100 $a20200120d2014 uy d 101 0 $afre 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aLe Tartuffe ou l'Imposteur /$fMolie?re 210 1$a[Place of publication not identified] :$cLigaran,$d[2014] 210 4$dİ2014 215 $a1 online resource (146 p.) 300 $aDescription based upon print version of record. 327 $aCouverture; Page de Copyright; Page de titre; Personnages; Acte premier; Sce?ne premie?re; Sce?ne II; Sce?ne III; Sce?ne IV; Sce?ne V; Acte deuxie?me; Sce?ne I; Sce?ne II; Sce?ne III; Sce?ne IV; Acte troisie?me; Sce?ne I; Sce?ne II; Sce?ne III; Sce?ne IV; Sce?ne V; Sce?ne VI; Sce?ne VII; Acte quatrie?me; Sce?ne premie?re; Sce?ne II; Sce?ne III; Sce?ne IV; Sce?ne V; Sce?ne VI; Sce?ne VII; Sce?ne VIII; Acte cinquie?me; Sce?ne premie?re; Sce?ne II; Sce?ne III; Sce?ne VI; Sce?ne V; Sce?ne VI; Sce?ne VII 330 $a Extrait : ""TARTUFFE : Ah! pour e?tre de?vot, je n'en suis pas moins homme ; Et lorsqu'on vient a? voir vos ce?lestes appas, Un c?ur se laisse prendre, et ne raisonne pas. Je sais qu'un tel discours de moi parai?t e?trange ; Mais, Madame, apre?s tout, je ne suis pas un ange ;"" 606 $aFrench drama$y17th century 608 $aElectronic books. 615 0$aFrench drama 676 $a842.408 700 $aMolie?re$0389055 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910466718003321 996 $aTartuffe ou L'imposteur$951183 997 $aUNINA LEADER 01883nam 2200409z- 450 001 9910163541203321 005 20210211 035 $a(CKB)3710000001048107 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/47799 035 $a(NjHacI)993710000001048107 035 $a(oapen)doab47799 035 $a(EXLCZ)993710000001048107 100 $a20202102d1953 |y 0 101 0 $a||| 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFolk Travelers, Ballads, Tales, and Talk 210 $cUniversity of North Texas Press$d1953 215 $a1 online resource 311 08$a0-87074-014-8 330 $aAnnotation A collection of articles from the Texas Folklore Society. The title comes from J. Frank Dobie's chapter on "The Traveling Anecdote." Also included are Roy Bedichek on "Folklore in Natural History;" "The Names of Western Wild Animals," by George D. Hendricks; "Bonny Barbara Allen," by Joseph W. Hendren; "Aunt Cordie's Ax and Other Motifs in Oil," by Mody C. Boatright; "The Western Ballad and the Russian Ballada," by Robert C. Stephenson; "The Love Tragedy in Texas-Mexican Balladry," by Americo Paredes; "Emerson and the Language of the Folk," by John Q. Anderson; "Tales of Neiman-Marcus," by James Howard; "The Devil in the Big Bend," by Elton Miles; and others. 606 $aFolklore$zUnited States 606 $aSOCIAL SCIENCE / Folklore & Mythology 615 0$aFolklore 615 0$aSOCIAL SCIENCE / Folklore & Mythology. 676 $a398.2 700 $aBoatright/Hudson/Maxwell$4auth$01278882 702 $aMaxwell$b Allen 702 $aHudson$b Wilson Mathis 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910163541203321 996 $aFolk Travelers, Ballads, Tales, and Talk$93014042 997 $aUNINA