LEADER 03133nam 22005894a 450 001 9910454634703321 005 20200520144314.0 010 $a0-8261-9785-X 035 $a(CKB)1000000000705990 035 $a(EBL)423619 035 $a(OCoLC)476263798 035 $a(SSID)ssj0000132165 035 $a(PQKBManifestationID)11152964 035 $a(PQKBTitleCode)TC0000132165 035 $a(PQKBWorkID)10028798 035 $a(PQKB)10214352 035 $a(MiAaPQ)EBC423619 035 $a(Au-PeEL)EBL423619 035 $a(CaPaEBR)ebr10265319 035 $a(CaONFJC)MIL831371 035 $a(EXLCZ)991000000000705990 100 $a20050629d2006 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCreativity from constraints$b[electronic resource] $ethe psychology of breakthrough /$fPatricia D. Stokes 205 $a1st ed. 210 $aNew York $cSpringer Pub. Co.$dc2006 215 $a1 online resource (183 p.) 300 $a"This book is written for psychologists who study creativity and problem solving, skill acquisition and expertise, development and education, this book is also of practical use to researchers and clinicians, the success of whose designs--experimental and clinical--depends on the creative choice of constraints. Learn about: - Strategic and structural constraints - Constraints as creative tools - Application of constraints to clinical experimentation"--Provided by the publisher. 311 $a0-8261-7845-6 320 $aIncludes bibliographical references and index. 327 $aThe creativity problem -- Constraints and first choruses -- Constraints for creativity in literature -- Constraints for creativity in art -- Constraints for creativity in fashion -- Constraints for creativity in architecture -- Constraints for creativity in advertising -- Constraints for creativity in music -- Constraints for developing creativity -- Central concepts: a recap. 330 $aIn this exciting new contribution to the study of creativity, psychologist, artist, and writer Dr. Patricia Stokes delves into the minds of famous creative artists and discovers the surprising source leading to their creative breakthroughs. From Picasso to Stravinsky, Kundera and Chanel to Frank Lloyd Wright, it is not boundary-less creative freedom that inspires new ideas, but self-imposed, well-considered constraints. Monet forced himself to repeatedly paint the way light broke on, between, and around his subjects, contrasting color instead of light and dark, and softening edges in the proceed 606 $aCreative ability 606 $aCreation (Literary, artistic, etc.) 606 $aProblem solving 608 $aElectronic books. 615 0$aCreative ability. 615 0$aCreation (Literary, artistic, etc.) 615 0$aProblem solving. 676 $a153.3/5 700 $aStokes$b Patricia D$0997120 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454634703321 996 $aCreativity from constraints$92286633 997 $aUNINA