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100   $a20080319d2008      uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
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183   $acr
200 10$aUlrike Ottinger$b[electronic resource] $ethe autobiography of art cinema /$fLaurence A. Rickels
210   $aMinneapolis $cUniversity of Minnesota Press$dc2008
215   $a1 online resource (225 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-5331-3 
311   $a0-8166-5330-5 
320   $aIncludes bibliographical references (p. 197-207).
327   $aCONTENTS; ACKNOWLEDGMENTS; A NOTE ON THE PHOTOGRAPHS; PREFACE; INTRODUCTION: ART/CINEMA, ART/JOURNALISM; 1. BOUNCING BIO; 2. SATANIC ARTS; 3. BETWEEN MEDIA; 4. HIT AND MISS; 5. OPERATION ART; 6. THE ART OF EVERYDAY LIFE; 7. JOHANNA'S ARK;  OR, DOCUMENTARY FILM'S COVENANT WITH ART CINEMA; 8. REAL TIME TRAVEL; 9. I WAS THERE; 10. CURTAINS; 11. MY LAST INTERVIEW WITH ULRIKE OTTINGER; 12. TOTEM TABOO; 13. GOING APE; WORKS CITED
330   $aSince 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottin
606   $aMotion picture producers and directors
608   $aElectronic books.
615  0$aMotion picture producers and directors.
676   $a791.43023/3092
700   $aRickels$b Laurence A$0886893
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910454627803321
996   $aUlrike Ottinger$92242321
997   $aUNINA