LEADER 03832nam 2200757Ia 450 001 9910454619603321 005 20200520144314.0 010 $a0-8166-6626-1 035 $a(CKB)1000000000723040 035 $a(EBL)433197 035 $a(OCoLC)318218376 035 $a(SSID)ssj0000252326 035 $a(PQKBManifestationID)11203403 035 $a(PQKBTitleCode)TC0000252326 035 $a(PQKBWorkID)10181041 035 $a(PQKB)10470233 035 $a(MiAaPQ)EBC433197 035 $a(MdBmJHUP)muse39862 035 $a(Au-PeEL)EBL433197 035 $a(CaPaEBR)ebr10277749 035 $a(CaONFJC)MIL526155 035 $a(EXLCZ)991000000000723040 100 $a20080409d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStreet scenes$b[electronic resource] $estaging the self in immigrant New York, 1880-1924 /$fEsther Romeyn 210 $aMinneapolis $cUniversity of Minnesota Press$dc2008 215 $a1 online resource (308 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-4522-1 311 $a0-8166-4521-3 320 $aIncludes bibliographical references (p. 213-261) and index. 327 $apt. 1. The city as theater : performativity and urban space -- The epistemology of the city -- Detecting, acting, and the hierarchy of the social body -- Crossing the Bowery : female slumming and the theater of urban space -- Eros and Americanization : the rise of David Levinsky, or the etiquette of race and sex -- pt. 2. Stages of identity : performing ethnic subjects -- Juggling identities : the case of an Italian American clown -- My other/my self : impersonation and the rehearsal of otherness -- The truth of racial signs : civilizing the Jewish comic -- Blackface, Jewface, whiteface : racial impersonation revisited. 330 $aThe turn of the twentieth century in New York City was characterized by radical transformation as the advent of consumer capitalism confronted established social hierarchies, culture, and conceptions of selfhood. The popular stage existed in a symbiotic relationship with the city and uniquely captured the contested terms of immigrant identity of the time. Street Scenes focuses on the intersection of modern city life and stage performance. From street life and slumming to vaudeville and early cinema, to Yiddish theater and blackface comedy, Esther Romeyn discloses racial comedy, passing, and ma 606 $aCity and town life$zNew York (State)$zNew York$xHistory 606 $aEthnicity$zNew York (State)$zNew York$xHistory 606 $aImmigrants$zNew York (State)$zNew York$xIntellectual life 606 $aImmigrants$zNew York (State)$zNew York$xSocial conditions 606 $aMinorities$zNew York (State)$zNew York$xIntellectual life 606 $aMinorities$zNew York (State)$zNew York$xSocial conditions 606 $aPerforming arts$xSocial aspects$zNew York (State)$zNew York$xHistory 606 $aSelf$zNew York (State)$zNew York$xHistory 607 $aNew York (N.Y.)$xEthnic relations 607 $aNew York (N.Y.)$xIntellectual life 608 $aElectronic books. 615 0$aCity and town life$xHistory. 615 0$aEthnicity$xHistory. 615 0$aImmigrants$xIntellectual life. 615 0$aImmigrants$xSocial conditions. 615 0$aMinorities$xIntellectual life. 615 0$aMinorities$xSocial conditions. 615 0$aPerforming arts$xSocial aspects$xHistory. 615 0$aSelf$xHistory. 676 $a305.8009747/10903 676 $a792.097471 700 $aRomeyn$b Esther$0894464 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454619603321 996 $aStreet scenes$91998205 997 $aUNINA LEADER 03291 am 22004933u 450 001 9910140496703321 005 20230621140354.0 010 $a9783902936530 (ebook) 024 7 $a10.26530/OAPEN_503847 035 $a(CKB)2670000000591108 035 $a(OAPEN)503847 035 $a(FrMaCLE)OB-iup-1532 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/62936 035 $a(EXLCZ)992670000000591108 100 $a20141026h20142014 fy 101 0 $ager 135 $aurm|#---uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aZones Virtopiques $edie Virtualisierung der Heterotopien und eine mediale Dispositivanalyse am Beispiel des Medienkunstprojekts Zone*Interdite /$fValentin Dander 210 $cinnsbruck university press$d2014 210 1$aInnsbruck :$cinnsbruck university press ,$d2014 210 4$d©2014 215 $a1 online resource (194 pages) $cillustrations; digital, PDF file(s) 320 $aIncludes bibliographic references. 330 $aHow can Michel Foucault?s notion of heterotopias be transposed into a concept that describes medial and, more specifically, virtual spaces? What could such virtualized heterotopias look like? Can we find traces of utopian thinking within them? Zones*Virtopiques answers these questions in two ways: first by constructing a conceptual framework using notions of utopia and heterotopia, as well as reality and virtuality; and second, by applying theoretical findings to Zone*Interdite, a media art project on military areas authored by Mathias Jud and Christoph Wachter. Therefore, a micro-analysis of medial dispositifs has been developed. 330 $aWie kann Michel Foucaults Konzept der Heterotopien, der Anderen Orte, auf mediale und im Speziellen auf virtuelle Räume übertragen werden und wie könnten virtuelle oder virtualisierte Heterotopien aussehen? In welchem Verhältnis stehen Heterotopien zur Tradition utopischen Denkens? Und lassen sich insbesondere in virtualisierten Heterotopien Restbestände eines utopischen Impulses aufspüren? Diese Fragen nach dem common ground dieser speziellen (Nicht-)Orte (zones hétérotopiques, utopiques et virtuelles) sucht Zones Virtopiques auf zweifache Weise zu beantworten: Unter Bezugnahme auf kultur- und medienwissenschaftliche sowie auf sozial- und raumwissenschaftliche Theorien nähert sich der erste Teil des Buches entlang der Kategorien Realität/Virtualität und Utopie/Heterotopie dem frag-würdigen Gegenstand auf einer konzeptionellen Ebene. Der zweite Teil wendet die gewonnenen Erkenntnisse im Rahmen einer Mikroanalyse medialer Dispositive auf das Medienkunstprojekt Zone*Interdite von Mathias Jud und Christoph Wachter an. 517 $aZones Virtopiques 606 $aThe arts: general issues$2bicssc 606 $aSociology & anthropology$2bicssc 610 $aMedienkunst 610 $aSperrzone 610 $amediale Räume 610 $avirtuelle Räume 610 $aHeterotopie 615 7$aThe arts: general issues 615 7$aSociology & anthropology 700 $aDander$b Valentin$0872613 801 2$bUkMaJRU 906 $aBOOK 912 $a9910140496703321 996 $aZones Virtopiques$91947930 997 $aUNINA