LEADER 03842nam 22007812 450 001 9910454601803321 005 20151005020621.0 010 $a1-107-17109-1 010 $a1-280-95947-9 010 $a9786610959471 010 $a0-511-29632-0 010 $a1-139-13246-6 010 $a0-511-29555-3 010 $a0-511-29396-8 010 $a0-511-48420-8 010 $a0-511-29476-X 035 $a(CKB)1000000000688469 035 $a(EBL)307088 035 $a(OCoLC)422730302 035 $a(SSID)ssj0000308628 035 $a(PQKBManifestationID)11255287 035 $a(PQKBTitleCode)TC0000308628 035 $a(PQKBWorkID)10258983 035 $a(PQKB)11125739 035 $a(UkCbUP)CR9780511484209 035 $a(MiAaPQ)EBC307088 035 $a(Au-PeEL)EBL307088 035 $a(CaPaEBR)ebr10187146 035 $a(CaONFJC)MIL95947 035 $a(EXLCZ)991000000000688469 100 $a20090224d2007|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRomanticism and the rise of the mass public /$fAndrew Franta$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2007. 215 $a1 online resource (viii, 245 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v68 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-11710-0 311 $a0-521-86887-4 320 $aIncludes bibliographical references (p. 227-240) and index. 327 $aIntroduction : the regime of publicity -- Public opinion from Burke to Byron -- Wordsworth's audience problem -- Keats and the review aesthetic -- Shelley and the politics of political poetry -- The art of printing and the law of libel -- The right of private judgment. 330 $aDramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity. 410 0$aCambridge studies in Romanticism ;$v68. 517 3 $aRomanticism & the Rise of the Mass Public 606 $aEnglish poetry$y19th century$xHistory and criticism 606 $aRomanticism$zGreat Britain 606 $aAuthors and readers$zGreat Britain$xHistory$y19th century 606 $aBooks and reading$zGreat Britain$xHistory$y19th century 606 $aAuthors and publishers$zGreat Britain$xHistory$y19th century 606 $aLiterature publishing$zGreat Britain$xHistory$y19th century 615 0$aEnglish poetry$xHistory and criticism. 615 0$aRomanticism 615 0$aAuthors and readers$xHistory 615 0$aBooks and reading$xHistory 615 0$aAuthors and publishers$xHistory 615 0$aLiterature publishing$xHistory 676 $a821/.709145 700 $aFranta$b Andrew$01032926 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910454601803321 996 $aRomanticism and the rise of the mass public$92451097 997 $aUNINA