LEADER 01140nam 2200373 450 001 990003582060203316 005 20111026110050.0 010 $a978-3-495-48316-9 035 $a000358206 035 $aUSA01000358206 035 $a(ALEPH)000358206USA01 035 $a000358206 100 $a20111026d2011----km-y0itay50------ba 101 0 $ager 102 $aDE 105 $a||||||||001yy 200 1 $a<> Philosophie der Kyôto-Schule$fTexte von Kitarô Nishida ... [et al.]$gHerausgegeben und eingeleitet von Ryôsuke Ohashi 205 $a2. ed 210 $aFreiburg, Br.$aMünchen$cAlber$d2011 215 $a548 p.$d22 cm 225 2 $aWelten der Philosophie$v2 410 0$12001$aWelten der Philosophie$v2 606 0 $aFilosofia giapponese$zSec. 20.$2BNCF 676 $a181.12 702 1$aNISHIDA,$bKitarô 702 1$aOHASHI,$bRyôsuke 801 0$aIT$bsalbc$gISBD 912 $a990003582060203316 951 $aII.1.D. 1001$b233383 L.M.$cII.1.D.$d00267450 959 $aBK 969 $aUMA 979 $aIANNONE$b90$c20111026$lUSA01$h1100 996 $aPHILOSOPHIE der Kyoto-Schule$9475647 997 $aUNISA LEADER 01289cam0-2200433---450- 001 990005814480403321 005 20100730134808.0 010 $a88-339-0939-5 035 $a000581448 035 $aFED01000581448 035 $a(Aleph)000581448FED01 035 $a000581448 100 $a19990604d1995----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aDelitto, genio, follia$escritti scelti$fCesare Lombroso$ga cura di Delia Frigessi, Ferruccio Giacanelli, Luisa Mangoni 210 $aTorino$cBollati Boringhieri$d1995 215 $aXXIII, 973 p.$d23 cm 225 1 $a<>cultura scientifica 300 $aCriminologia 610 0 $aLombroso, Cesare$aScritti 676 $a364.24 700 1$aLombroso,$bCesare$f<1836-1909>$070445 702 1$aFrigessi Castelnuovo,$bDelia 702 1$aGiacanelli,$bFerruccio 702 1$aMangoni,$bLuisa 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005814480403321 952 $aSDI-H 251 (a)$bs.i.$fSDI 952 $aSDI-K 251 (b)$bs.i.$fSDI 952 $aP.1 A 19 BIS$b7344 DFM$fNAP03 952 $aP.1 A 19$bBibl. 21485$fFLFBC 959 $aFLFBC 959 $aNAP03 959 $aSDI 996 $aDelitto, genio, follia$9567947 997 $aUNINA LEADER 03742nam 2200709 a 450 001 9910454587903321 005 20200520144314.0 010 $a1-280-91020-8 010 $a9786610910205 010 $a1-4593-0871-9 010 $a1-897414-10-2 035 $a(CKB)1000000000688363 035 $a(EBL)299670 035 $a(OCoLC)288122661 035 $a(SSID)ssj0000284173 035 $a(PQKBManifestationID)11215064 035 $a(PQKBTitleCode)TC0000284173 035 $a(PQKBWorkID)10262087 035 $a(PQKB)10811186 035 $a(MiAaPQ)EBC299670 035 $a(CaONFJC)ctC20029038456 035 $a(CaPaEBR)407907 035 $a(CaBNvSL)slc00213701 035 $a(MiAaPQ)EBC3247937 035 $a(Au-PeEL)EBL299670 035 $a(CaPaEBR)ebr10176445 035 $a(EXLCZ)991000000000688363 100 $a20021108d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSide/lines$b[electronic resource] $ea new Canadian poetics /$fedited by Rob McLennan 210 $aToronto $cInsomniac Press$dc2002 215 $a1 online resource (274 p.) 300 $aDescription based upon print version of record. 311 $a1-894663-34-9 320 $aIncludes bibliographical references. 327 $aSide/lines; introduction: rob mclennan; Notes and Slips Retrieved from Various of My Works, with Reference to My Poetics; A Garish Simulacrum of Being Alive; poetics statement: problems in composition; A Prose is a Prose is a Prose is a; Poetics Statement; Into the Ocean; Company; en train de: (his little fraught patriation of forms; Self-Interview; ""because capitalism makes the nouns / and burns the connections"": Notes Towards an Articulatory Poetics; Damsel in Da Dress; Notes Towards an Operational Poetics; Ambit. Ardour. Orders: A Poetics of Polymedial Pasties; Happy the Ghost-Boy 327 $aPULP GIMP: A POETICSPoser; (The Function & Field) Of Speech & Language; Sweet Poetry or Mystery Meat?; Ottawa snapshot: a quick poetics; Holding Pattern; Good Golly Miss Molly: An Autobiographical Poetics; Poem as Collage of the Real; COPPING: The Double Voice and Jazz Ethics; Berlin; Writing the Eye (a game of cat's cradle); Uses, Not Muses; My Meteoric Rise to Obscurity-A Treatise On the Merits of Lexiconjury, Deliriomancy and Icelandic Breakfast Foods; FIRST WORDS; author bios; related (and recommended) reading; acknowledgements 330 $aThis anthology offers refereshing, cogent and insightful explanations of why young poets and writers do what they do. The thirty pieces in side/lines - by a unique variety of Canadian writers working in numerous genres - reflect on why writers write. Their reflections are not to be held as gospel or lifelong theories, but can be considered writing strategies drawn up at specific points in time, informed by certain unavoidable material conditions, such as current politics and emotions. Ask these writers to explain their craft in ten years, and you may be surprised by their answers. 606 $aCanadian poetry$xHistory and criticism$xTheory, etc 606 $aCanadian poetry$y20th century 606 $aCanadian poetry$y21st century 606 $aPoetry$xAuthorship 606 $aPoetics 608 $aElectronic books. 615 0$aCanadian poetry$xHistory and criticism$xTheory, etc. 615 0$aCanadian poetry 615 0$aCanadian poetry 615 0$aPoetry$xAuthorship. 615 0$aPoetics. 676 $a811.009 701 $aMcLennan$b Rob$0995236 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454587903321 996 $aSide$92279971 997 $aUNINA