LEADER 02872nam 2200613Ia 450 001 9910454559403321 005 20200520144314.0 010 $a1-281-86571-0 010 $a9786611865719 010 $a0-19-155044-2 035 $a(CKB)1000000000707764 035 $a(EBL)415191 035 $a(OCoLC)476240763 035 $a(SSID)ssj0000128132 035 $a(PQKBManifestationID)12045193 035 $a(PQKBTitleCode)TC0000128132 035 $a(PQKBWorkID)10063486 035 $a(PQKB)10587139 035 $a(MiAaPQ)EBC415191 035 $a(Au-PeEL)EBL415191 035 $a(CaPaEBR)ebr10266543 035 $a(CaONFJC)MIL186571 035 $a(EXLCZ)991000000000707764 100 $a20080603d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aConceiving the empire$b[electronic resource] $eChina and Rome compared /$fedited by Fritz-Heiner Mutschler, Achim Mittag 210 $aOxford $cOxford University Press$dc2008 215 $a1 online resource (502 p.) 300 $aDescription based upon print version of record. 311 $a0-19-921464-6 320 $aIncludes bibliographical references and index. 327 $aContents; List of Abbreviations-Note on Romanization and Citation; List of Illustrations and Tables; Notes on Contributors; Preface; PART I. THE BIRTH OF THE IMPERIAL ORDER; PART II. THE FIRMLY ESTABLISHED EMPIRE; PART III. THE WANING OF THE IMPERIAL ORDER; Epilogue; Chronological Table; Maps of Ancient China and Rome; Glossary of Chinese Characters; Index of Names; Index of Subjects 330 $aA collection of essays, by a team of experts in Sinology and Classical Studies, exploring the mental images and symbolical representations of `empire' that developed in the two most powerful political entities of antiquity: China and Rome. - ;The essays in Conceiving the Empire explore the mental images, ideas, and symbolical representations of `empire' which developed in the two most powerful political entities of antiquity: China and Rome. While the central focus is on historiography, other related fields are also explored: geography and cartography, epigraphy, art and architecture, and, mor 606 $aHistory, Ancient$xHistoriography 606 $aImperialism$xHistoriography 607 $aChina$xHistory$yHan dynasty, 202 B.C.-220 A.D 607 $aRome$xHistory$yEmpire, 30 B.C.-476 A.D 608 $aElectronic books. 615 0$aHistory, Ancient$xHistoriography. 615 0$aImperialism$xHistoriography. 676 $a931.04 701 $aMutschler$b Fritz-Heiner$0497265 701 $aMittag$b Achim$f1958-$0985779 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454559403321 996 $aConceiving the empire$92253120 997 $aUNINA LEADER 04390nam 22007813 450 001 9910861956903321 005 20240724143440.0 010 $a9783839469224 010 $a3839469228 024 7 $a10.1515/9783839469224 035 $a(CKB)32140548400041 035 $a(MiAaPQ)EBC31361150 035 $a(Au-PeEL)EBL31361150 035 $a(DE-B1597)666971 035 $a(DE-B1597)9783839469224 035 $a(ScCtBLL)c1ea8432-4117-47da-aa5d-7804f4ddcad1 035 $a(OCoLC)1438670163 035 $a(Perlego)4238362 035 $a(EXLCZ)9932140548400041 100 $a20240605d2024 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArtificial Intelligence - Intelligent Art? $eHuman-Machine Interaction and Creative Practice 205 $a1st ed. 210 1$aBielefeld :$ctranscript Verlag,$d2024. 210 4$d©2024. 215 $a1 online resource (293 pages) 225 1 $aDigitale Gesellschaft Series 311 08$a9783837669220 311 08$a383766922X 327 $tFrontmatter --$tContents --$tArtificial Intelligence ? Intelligent Art? An Introduction --$tAI, Automation, Creativity, Cognitive Labor --$tDumb Meaning: Machine Learning and Artificial Semantics --$tArtist-Guided Neural Networks ? Automated Creativity or Tools for Extending Minds? --$tEmbodied Voice and AI: a Techno-Social System in Miniature --$tSound of Contagion ? An Artistic Research Project Exploring A.I. as a Creative Tool for Transmedial Storytelling --$tChallenges and Opportunities for Computational Construction of Narratives --$tThe Marcel Duchamp Case in, against, or after Artificial Creativity --$tCreativity and Function --$tContemplating Automaton Consciousness through Creativity in Rokuro Inui?s Automatic Eve --$tWhere Machine and Muse Meet ? Towards a Creativity of AI Art --$tMaterial Films in the Age of Artificial Intelligence. Some Remarks on Automated Creativity in Contemporary Experimental Film --$tDear GPT-3: Collaborative Writing with Neural Networks --$tAFFIRMATIVE ? REJECT. With and Against AI --$tArtificial Intelligence in Songwriting and Composing ? Perspectives and Challenges in Creative Practices --$tOn Human-Machine Relationship and the Notion of an Artificial Intelligence in Musical Practice --$tThe Upcoming Change in Human Musical Thinking. What Does a Music Professional do in the Age of AI? --$tThe Roughness of Neural Networks. Jimi Hendrix, Holly Herndon, GPT-3, Timbre Transfer and the Promising Failure Aesthetics of Musical AIs --$tDigital Aesthetics: A Symbolism of the Body and a More-than-Human Mode of Enquiry --$tAbout the Authors 330 $aAs algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. This volume brings together contributions from the fields of cultural studies, literary studies, musicology and sound studies as well as media studies, sociology of technology, and beyond, presenting a truly interdisciplinary, state-of-the-art picture of the transformation of creative practice brought about by various forms of AI. 410 0$aDigitale Gesellschaft Series 606 $aSOCIAL SCIENCE / Media Studies$2bisacsh 610 $aAI Art. 610 $aArt. 610 $aCreativity. 610 $aDigital Media. 610 $aDigitalization. 610 $aGAN. 610 $aGPT. 610 $aLiterature. 610 $aMachine Learning. 610 $aMedia Aesthetics. 610 $aMedia Art. 610 $aMedia Philosophy. 610 $aMedia Studies. 610 $aMedia. 610 $aMusic. 610 $aNLP. 615 7$aSOCIAL SCIENCE / Media Studies. 676 $a700.285 700 $aVoigts-Virchow$b Eckart$01738471 701 $aAuer$b Robin Markus$01738472 701 $aElflein$b Dietmar$01738473 701 $aKunas$b Sebastian$01738474 701 $aRöhnert$b Jan$0801244 701 $aSeelinger$b Christoph$01264968 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910861956903321 996 $aArtificial Intelligence - Intelligent Art$94160777 997 $aUNINA