LEADER 04229nam 2200745 a 450 001 9910454474903321 005 20200520144314.0 010 $a0-8078-7678-X 035 $a(CKB)1000000000746903 035 $a(EBL)427116 035 $a(OCoLC)437111186 035 $a(SSID)ssj0000235829 035 $a(PQKBManifestationID)11216513 035 $a(PQKBTitleCode)TC0000235829 035 $a(PQKBWorkID)10163513 035 $a(PQKB)10184528 035 $a(MiAaPQ)EBC427116 035 $a(Au-PeEL)EBL427116 035 $a(CaPaEBR)ebr10273399 035 $a(CaONFJC)MIL930763 035 $a(EXLCZ)991000000000746903 100 $a20050411d2005 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRemembering the past in contemporary African American fiction$b[electronic resource] /$fKeith Byerman 210 $aChapel Hill $cUniversity of North Carolina Press$dc2005 215 $a1 online resource (241 p.) 300 $aDescription based upon print version of record. 311 $a0-8078-2980-3 311 $a0-8078-5647-9 320 $aIncludes bibliographical references (p. [209]-222) and index. 327 $aContents; Acknowledgments; Introduction: Toward a History of the Black Present; 1 History, Culture, Discourse: America's Racial Formation; PART I. MEMORY; 2 Burying the Dead: The Pain of Memory in Beloved; 3 Bearing Witness: The Recent Fiction of Ernest Gaines; 4 Troubling the Water: Subversive Women's Voices in Dessa Rose and Mama Day; PART II. DESIRE; 5 A Short History of Desire: Jazz and Bailey's Cafe; 6 The Color of Desire: Folk History in the Fiction of Raymond Andrews; 7 Postmodern Slavery and the Transcendence of Desire: The Novels of Charles Johnson; PART III. FAMILY 327 $a8 Family Secrets: Reinventions of History in The Chaneysville Incident9 Family Troubles: History as Subversion in Two Wings to Veil My Face and Divine Days; 10 Lost Generations: John Edgar Wideman's Homewood Narratives; PART IV. THE END(S); 11 Apocalyptic Visions and False Prophets: The End(s) of History in Wideman, Johnson, and Morrison; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W 330 $aWith close readings of more than twenty novels by writers including Ernest Gaines, Toni Morrison, Charles Johnson, Gloria Naylor, and John Edgar Wideman, Keith Byerman examines the trend among African American novelists of the late twentieth century to write about black history rather than about their own present. Employing cultural criticism and trauma theory, Byerman frames these works as survivor narratives that rewrite the grand American narrative of individual achievement and the march of democracy. The choice to write historical narratives, he says, must be understood historicall 606 $aAmerican fiction$xAfrican American authors$xHistory and criticism 606 $aLiterature and history$zUnited States$xHistory$y20th century 606 $aAmerican fiction$y20th century$xHistory and criticism 606 $aAfrican Americans$xIntellectual life$y20th century 606 $aHistorical fiction, American$xHistory and criticism 606 $aAutobiographical memory in literature 606 $aAfrican Americans in literature 606 $aHistory in literature 606 $aMemory in literature 608 $aElectronic books. 615 0$aAmerican fiction$xAfrican American authors$xHistory and criticism. 615 0$aLiterature and history$xHistory 615 0$aAmerican fiction$xHistory and criticism. 615 0$aAfrican Americans$xIntellectual life 615 0$aHistorical fiction, American$xHistory and criticism. 615 0$aAutobiographical memory in literature. 615 0$aAfrican Americans in literature. 615 0$aHistory in literature. 615 0$aMemory in literature. 676 $a813/.5409358/08996073 700 $aByerman$b Keith Eldon$f1948-$0869881 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454474903321 996 $aRemembering the past in contemporary African American fiction$92048054 997 $aUNINA