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100   $a20070730d2008      uy             0
101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aEngraving the savage$b[electronic resource] $ethe New World and techniques of civilization /$fMichael Gaudio
210   $aMinneapolis $cUniversity of Minnesota Press$d2008
215   $a1 online resource (234 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-4847-6 
311   $a0-8166-4846-8 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: White pebbles in the dark forest -- Savage marks: The scriptive techniques of early modern ethnography -- Making sense of smoke: Engraving and ornament in de Bry's America -- Flatness and protuberance: Reforming the image in Protestant print culture -- The art of scratch: Wood engraving and picture-writing in the 1880s.
330   $aIn this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples.
606   $aIndians in art
606   $aDifference (Philosophy) in art
606   $aArt$xReproduction
606   $aPrints$xTechnique
607   $aAmerica$xDiscovery and exploration$xEuropean$xHistoriography
608   $aElectronic books.
615  0$aIndians in art.
615  0$aDifference (Philosophy) in art.
615  0$aArt$xReproduction.
615  0$aPrints$xTechnique.
676   $a704.9/42
700   $aGaudio$b Michael$0703412
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910454452303321
996   $aEngraving the savage$91360029
997   $aUNINA