LEADER 03933nam 2200745 a 450 001 9910454442203321 005 20200520144314.0 010 $a1-281-96594-4 010 $a9786611965945 010 $a0-226-51464-1 024 7 $a10.7208/9780226514642 035 $a(CKB)1000000000578555 035 $a(EBL)408298 035 $a(OCoLC)309886031 035 $a(SSID)ssj0000162472 035 $a(PQKBManifestationID)11164083 035 $a(PQKBTitleCode)TC0000162472 035 $a(PQKBWorkID)10208037 035 $a(PQKB)11239473 035 $a(MiAaPQ)EBC408298 035 $a(DE-B1597)523713 035 $a(OCoLC)781253715 035 $a(DE-B1597)9780226514642 035 $a(Au-PeEL)EBL408298 035 $a(CaPaEBR)ebr10266067 035 $a(CaONFJC)MIL196594 035 $a(OCoLC)646784361 035 $a(EXLCZ)991000000000578555 100 $a20050110d2005 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGesture and thought$b[electronic resource] /$fDavid McNeill 210 $aChicago $cUniversity of Chicago Press$dc2005 215 $a1 online resource (332 p.) 300 $aDescription based upon print version of record. 311 $a0-226-51462-5 320 $aIncludes bibliographical references and index. 327 $aWhy gestures? -- How gestures carry meaning -- Two dimensions -- Imagery-language dialectic -- Discourse -- Children and whorf -- Neurogesture -- The thought-language-hand link and language origins. 330 $aGesturing is such an integral yet unconscious part of communication that we are mostly oblivious to it. But if you observe anyone in conversation, you are likely to see his or her fingers, hands, and arms in some form of spontaneous motion. Why? David McNeill, a pioneer in the ongoing study of the relationship between gesture and language, set about answering this question over twenty-five years ago. In Gesture and Thought he brings together years of this research, arguing that gesturing, an act which has been popularly understood as an accessory to speech, is actually a dialectical component of language. Gesture and Thought expands on McNeill's acclaimed classic Hand and Mind. While that earlier work demonstrated what gestures reveal about thought, here gestures are shown to be active participants in both speaking and thinking. Expanding on an approach introduced by Lev Vygotsky in the 1930's, McNeill posits that gestures are key ingredients in an "imagery-language dialectic" that fuels both speech and thought. Gestures are both the "imagery" and components of "language." The smallest element of this dialectic is the "growth point," a snapshot of an utterance at its beginning psychological stage. Utilizing several innovative experiments he created and administered with subjects spanning several different age, gender, and language groups, McNeill shows how growth points organize themselves into utterances and extend to discourse at the moment of speaking. An ambitious project in the ongoing study of the relationship of human communication and thought, Gesture and Thought is a work of such consequence that it will influence all subsequent theory on the subject. 606 $aGesture 606 $aPsycholinguistics 606 $aThought and thinking 606 $aSpeech 606 $aSign language 606 $aLanguage and languages 608 $aElectronic books. 615 0$aGesture. 615 0$aPsycholinguistics. 615 0$aThought and thinking. 615 0$aSpeech. 615 0$aSign language. 615 0$aLanguage and languages. 676 $a153.69 676 $a808.5 700 $aMcNeill$b David$0161270 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454442203321 996 $aGesture and thought$92125370 997 $aUNINA LEADER 03698 am 2200697 n 450 001 9910495841203321 005 20240104030722.0 010 $a2-84832-501-1 024 7 $a10.4000/books.apu.22183 035 $a(CKB)5590000000468053 035 $a(FrMaCLE)OB-apu-22183 035 $a(PPN)255906188 035 $a(EXLCZ)995590000000468053 100 $a20210503j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 200 02$a« Corps musical » dans le théâtre des XXe et XXIe siècles : formes et enjeux$fPierre Longuenesse 210 $aArras$cArtois Presses Université$d2021 215 $a1 online resource (288 p.) 311 $a2-84832-382-5 330 $aDe façon récurrente aujourd?hui, dramaturges, acteurs ou metteurs en scène se référent à la musique pour désigner une composante majeure de leur travail, voire un « modèle d?écriture ». On se propose ici d?étudier ce phénomène en l?abordant sous l?angle du corps, et d?explorer les modalités de mise en relation entre le corps et le fait musical (qu?elle soit littérale, ou plus symbolique), dans les textes comme sur les scènes du théâtre moderne et contemporain, en en cherchant la source dans quelques figures phare du xxe siècle, pour se concentrer ensuite sur quelques dramaturgies très contemporaines. De quoi ce « corps musical » est-il donc le symptôme ? La question est aussi bien esthétique que politique. Une première partie de cette étude abordera les écritures, au sens large du terme ; la seconde traitera de la question du corps au plateau, de l?acteur à la mise en scène : qu?est-ce que le corps fait à la musique, et la musique au corps ? Et surtout, quel modèle de pensée, via cet imaginaire musical, vient informer la représentation théâtrale dans son ensemble ? Clôturant chaque partie, deux tables rondes, ? l?une d?écrivains et traducteurs, l?autre de musiciens pour la scène ?, permettent d?entendre des points de vue parfois divergents sur cette question de la musique et du corps dans le processus de création. 517 $a« Corps musical » dans le théâtre des XXe et XXIe siècles  517 $a« Corps musical » dans le théâtre des XXe et XXIe siècles 517 $a« Corps musical » dans le théâtre des XXe et XXIe siècles 606 $aMusic 606 $aDance 606 $aLiterature (General) 606 $amusique 606 $aarts du spectacle 606 $athéâtre 606 $aécritures dramatiques 606 $adanse 615 4$aMusic 615 4$aDance 615 4$aLiterature (General) 615 4$amusique 615 4$aarts du spectacle 615 4$athéâtre 615 4$aécritures dramatiques 615 4$adanse 700 $aAufort$b Frédérique$01321563 701 $aChemama$b Simon$01458486 701 $aFerré$b David$01458487 701 $aHeidelberger$b Aurore$01458488 701 $aHengl$b Hugo$01458489 701 $aLasowski$b Aliocha Wald$01457845 701 $aLe Pors$b Sandrine$01282865 701 $aLonguenesse$b Pierre$01282860 701 $aMercier$b Amandine$01458490 701 $aPlana$b Muriel$01303210 701 $aPors$b Sandrine Le$01328121 701 $aRascle$b Floriane$01458491 701 $aSawyers$b Lea$01458492 701 $aServian$b Claudie$01458493 701 $aSimonot$b Michel$0708168 701 $aTchamitichian$b Raphaëlle$01458494 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910495841203321 996 $a« Corps musical » dans le théâtre des XXe et XXIe siècles : formes et enjeux$93658300 997 $aUNINA LEADER 03213nam 22005415 450 001 9910255226103321 005 20220114140301.0 010 $a9783319469256 010 $a3319469258 024 7 $a10.1007/978-3-319-46925-6 035 $a(CKB)3710000001151980 035 $a(DE-He213)978-3-319-46925-6 035 $a(MiAaPQ)EBC4838273 035 $a(Perlego)3492243 035 $a(EXLCZ)993710000001151980 100 $a20170407d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJewish Conscience of the Church $eJules Isaac and the Second Vatican Council /$fby Norman C. Tobias 205 $a1st ed. 2017. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (XXXIII, 307 p.) 311 08$a9783319469249 311 08$a331946924X 320 $aIncludes bibliographical references and index. 327 $aCHAPTER 1: On the Threshold of a Sacred Mission -- CHAPTER 2: The Formative Years - Péguy 1877-1902 -- CHAPTER 3: From Academe to Activism 1902-1940 -- CHAPTER 4: From Citizen to Leper 1940-1943 -- CHAPTER 5: The Catastrophe 1943-1945 -- CHAPTER 6: Gospel Reality -- CHAPTER 7: Jésus et Israël.-CHAPTER 8: The Resonance of Jésus et Israël.-CHAPTER 9: A First Papal Audience.-CHAPTER 10: Mission Accomplished.-CHAPTER 11: Quaestiones de Iudaeis.-CHAPTER 12: Salvation is from the Jews.-CHAPTER 13: The Rest of the Backstory. 330 $aThis book presents the backstory of how the Catholic Church came to clarify and embrace the role of Israel in salvation history, at the behest of an unlikely personality: Jules Isaac. This embrace put to an end the tradition, more than fifteen centuries old, of anti-Jewish rhetoric that had served as taproot to racial varieties of anti-Semitism. Prior to Isaac's thought and activism, this contemptuous tradition had never been denounced in so compelling a manner that the Church was forced to address it. It is a story of loss and triumph, and ultimately, unlikely partnership. Isaac devoted his years after World War II to a crusade for scriptural truth and rectification of Christian teaching regarding Jews and Judaism. Isaac's crusade culminated in an unpublicized audience with Pope John XXIII-a meeting that moved the pope to make a last-minute addition to the Second Vatican Council agenda and set in motion the events leading to a revolution in Catholic teaching about Jews. 606 $aReligions 606 $aWorld War, 1939-1945 606 $aCatholic Church 606 $aComparative Religion 606 $aHistory of World War II and the Holocaust 606 $aCatholicism 615 0$aReligions. 615 0$aWorld War, 1939-1945. 615 0$aCatholic Church. 615 14$aComparative Religion. 615 24$aHistory of World War II and the Holocaust. 615 24$aCatholicism. 676 $a200 700 $aTobias$b Norman C$4aut$4http://id.loc.gov/vocabulary/relators/aut$0955763 906 $aBOOK 912 $a9910255226103321 996 $aJewish Conscience of the Church$92163259 997 $aUNINA