LEADER 01058nam0-22003131i-450- 001 990001674460403321 005 20160217121602.0 035 $a000167446 035 $aFED01000167446 035 $a(Aleph)000167446FED01 035 $a000167446 100 $a20030910d1970----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $aRaccolta provinciale degli usi 1970 (Provincia di Avellino)$fCamera di Commercio Industria Artigianato e Agricoltura di Avellino 210 $aAvellino$cCamera di Commercio Industria Artigianato e Agricoltura di Avellino$d1970 215 $aIII, 204 p.$d26 cm 610 0 $aUsi civici 676 $a352.13 710 02$aCamera di commercio, industria, artigianato e agricoltura di Avellino$072243 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001674460403321 952 $a60 340 B 66$b44528$fFAGBC 952 $a60 340 B 55$b42239$fFAGBC 959 $aFAGBC 996 $aRaccolta provinciale degli usi 1970 (Provincia di Avellino$9370420 997 $aUNINA LEADER 03608nam 22007695 450 001 9910454408703321 005 20210114014901.0 010 $a1-282-03348-4 010 $a0-8135-4643-5 024 7 $a10.36019/9780813546438 035 $a(CKB)1000000000702854 035 $a(EBL)413877 035 $a(OCoLC)476239158 035 $a(SSID)ssj0000103715 035 $a(PQKBManifestationID)11133223 035 $a(PQKBTitleCode)TC0000103715 035 $a(PQKBWorkID)10091702 035 $a(PQKB)10327119 035 $a(DE-B1597)526318 035 $a(OCoLC)1109382358 035 $a(DE-B1597)9780813546438 035 $a(MiAaPQ)EBC413877 035 $a(EXLCZ)991000000000702854 100 $a20191221d2008 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Animated Bestiary $eAnimals, Cartoons, and Culture /$fPaul Wells 210 1$aNew Brunswick, NJ : $cRutgers University Press, $d[2008] 210 4$d©2009 215 $a1 online resource (236 p.) 300 $aDescription based upon print version of record. 311 $a0-8135-4414-9 327 $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tIntroduction -- $t1. The Bear Who Wasn't -- $t2. Of Mice and Men -- $t3. "I Don't Care What You Say, I'm Cold" -- $t4. Which Came First, the Chicken or the Egg? -- $t5. Creature Comforted -- $tBIBLIOGRAPHY -- $tFILMOGRAPHY -- $tINDEX 330 $aCartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films. 606 $aAnimals in motion pictures 606 $aAnimals in motion pictures 606 $aAnimated films - History and criticism 606 $aAnimated films -- History and criticism 606 $aAnimated films 606 $aAnimals in motion pictures$xHistory and criticism 606 $aAnimated films 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aFilm$2HILCC 608 $aElectronic books. 615 4$aAnimals in motion pictures. 615 4$aAnimals in motion pictures. 615 4$aAnimated films - History and criticism. 615 4$aAnimated films -- History and criticism. 615 4$aAnimated films. 615 0$aAnimals in motion pictures$xHistory and criticism 615 0$aAnimated films 615 7$aMusic, Dance, Drama & Film 615 7$aFilm 676 $a741.5 676 $a791.43 676 $a791.43/662 676 $a791.43662 700 $aWells$b Paul, $4aut$4http://id.loc.gov/vocabulary/relators/aut.$0613564 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910454408703321 996 $aThe Animated Bestiary$92447729 997 $aUNINA