LEADER 02357nam 2200553Ia 450 001 9910454335603321 005 20200520144314.0 010 $a1-58729-775-2 035 $a(CKB)1000000000704749 035 $a(EBL)843227 035 $a(OCoLC)297118280 035 $a(SSID)ssj0000137088 035 $a(PQKBManifestationID)11139242 035 $a(PQKBTitleCode)TC0000137088 035 $a(PQKBWorkID)10088117 035 $a(PQKB)11784033 035 $a(MiAaPQ)EBC843227 035 $a(MdBmJHUP)muse8957 035 $a(Au-PeEL)EBL843227 035 $a(CaPaEBR)ebr10354421 035 $a(EXLCZ)991000000000704749 100 $a20070302d2007 ub 1 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDesert gothic$b[electronic resource] /$fDon Waters 210 $aIowa City $cUniversity of Iowa Press$dc2007 215 $a1 online resource (167 p.) 225 1 $aThe Iowa short fiction award 300 $aDescription based upon print version of record. 311 $a1-58729-624-1 327 $aWhat to do with the dead -- Sheets -- Mr. Epstein and the dealer -- Dan Buck -- Mineral and steel -- Blood management -- Holiday at the Shamrock -- The bulls at San Luis -- Little sins -- Mormons in heat. 330 $aThis powerful debut collection, set in the light-filled deserts of Nevada and Arizona, introduces a darkly inventive new voice. Like an early Richard Ford, Don Waters writes with skill, empathy, and an edgy wit of worlds not often celebrated in contemporary literature. Set in bars, mortuaries, nursing homes, truck stops, and the "poverty motels that encircled downtown's casino corridor," Waters's ten stories are full of misfit transients like Julian, a crematorium worker who decorates abandoned urns to create a "lush underground island," and the instant Mormon missionary Eli, a hapless d 410 0$aIowa short fiction award. 606 $aShort stories, American$y21st century 607 $aSouthwest, New$vFiction 608 $aElectronic books. 615 0$aShort stories, American 676 $a813/.6 700 $aWaters$b Don$f1974-$0898396 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454335603321 996 $aDesert gothic$92007256 997 $aUNINA