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100   $a20080715d2009      uy             0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aRelationscapes$b[electronic resource] $emovement, art, philosophy /$fErin Manning
210   $aCambridge, Mass. $cMIT Press$dc2009
215   $a1 online resource (x, 268 p.) $cill
225 1 $aTechnologies of lived abstraction
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-262-13490-X 
320   $aIncludes bibliographical references (p. [247]-255) and index.
330 8 $aExploring the relation between sensation and thought through the prisms of dance, cinema, art, and the new media, Manning argues for the intensity of movement, developing the concept of preacceleration which makes palpable how movement creates relational intervals out of which displacements take form.
410  0$aTechnologies of lived abstraction.
606   $aMovement (Philosophy)
606   $aTechnology
608   $aElectronic books.
615  0$aMovement (Philosophy)
615  0$aTechnology.
676   $a128/.6
700   $aManning$b Erin$0446537
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910454322603321
996   $aRelationscapes$997178
997   $aUNINA