LEADER 03888nam 2200673Ia 450 001 9910454318303321 005 20200520144314.0 010 $a1-135-86998-7 010 $a1-282-28439-8 010 $a9786612284397 010 $a0-203-88279-2 035 $a(CKB)1000000000784100 035 $a(EBL)449452 035 $a(OCoLC)471700318 035 $a(SSID)ssj0000344623 035 $a(PQKBManifestationID)12134917 035 $a(PQKBTitleCode)TC0000344623 035 $a(PQKBWorkID)10307015 035 $a(PQKB)10207217 035 $a(MiAaPQ)EBC449452 035 $a(Au-PeEL)EBL449452 035 $a(CaPaEBR)ebr10330937 035 $a(CaONFJC)MIL228439 035 $a(EXLCZ)991000000000784100 100 $a20090102d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWorld cinemas, transnational perspectives$b[electronic resource] /$fedited by Natasa D?urovic?ova? and Kathleen Newman 205 $a1st ed. 210 $aNew York $cRoutledge$d2009 215 $a1 online resource (385 p.) 225 1 $aAFI Film Readers 300 $aDescription based upon print version of record. 311 $a0-415-97654-5 311 $a0-415-97653-7 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Copyright; Dedication; contents; preface; acknowledgments; part one the geopolitical imaginary of cinema studies; one notes on transnational film theory: decentered subjectivity, decentered capitalism; two on the plurality of cinematic transnationalism; three tracking "global media" in the outposts of globalization; four time zones and jetlag: the flows and phases of world cinema; five vector, flow, zone: towards a history of cinematic translatio; part two cinema as transnational exchange; six chinese cinema and transnational film studies 327 $aseven national cinema abroad: the new international division of cultural labor, from production to viewingeight aural identity, genealogies of sound technologies, and hispanic transnationality on screen; nine how movies move: (between hong kong and bulawayo, between screen and stage...); ten the new paradoxes of black africa's cinemas; eleven the transnational other: street kids in contemporary brazilian cinema; part three comparative perspectives; twelve fantasy in action; thirteen vernacular modernism: tracking cinema on a global scale; fourteen globalization and hybridization 327 $afifteen from playtime to the world: the expansion and depletion of space within global economiesselected bibliography; contributors; index of film and television titles; general index 330 $aSCMS Award Winner ""Best Edited Collection""The standard analytical category of ""national cinema"" has increasingly been called into question by the category of the ""transnational."" This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images. 410 0$aAFI Film Readers 606 $aMotion pictures and transnationalism 606 $aMotion pictures and globalization 608 $aElectronic books. 615 0$aMotion pictures and transnationalism. 615 0$aMotion pictures and globalization. 676 $a302.23/43 701 $aD?urovic?ova?$b Natasa$0909660 701 $aNewman$b Kathleen E$g(Kathleen Elizabeth)$0909661 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454318303321 996 $aWorld cinemas, transnational perspectives$92035607 997 $aUNINA