LEADER 03995nam 2200817Ia 450 001 9910454302203321 005 20200520144314.0 010 $a1-135-23564-3 010 $a1-282-28347-2 010 $a9786612283475 010 $a0-203-86657-6 035 $a(CKB)1000000000784005 035 $a(EBL)446960 035 $a(OCoLC)444700377 035 $a(SSID)ssj0000107510 035 $a(PQKBManifestationID)11124962 035 $a(PQKBTitleCode)TC0000107510 035 $a(PQKBWorkID)10009389 035 $a(PQKB)11082812 035 $a(MiAaPQ)EBC446960 035 $a(Au-PeEL)EBL446960 035 $a(CaPaEBR)ebr10330930 035 $a(CaONFJC)MIL228347 035 $a(EXLCZ)991000000000784005 100 $a20090501d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAudience, agency and identity in Black popular culture$b[electronic resource] /$fby Shawan M. Worsley 210 $aNew York $cRoutledge$d2009 215 $a1 online resource (159 p.) 225 1 $aStudies in African American history and culture 300 $aDescription based upon print version of record. 311 $a0-415-84616-1 311 $a0-415-80486-8 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Copyright; Contents; Illustrations; Acknowledgments; 1 Race, Racism and Black Popular Culture; 2 Making the Past Accountable: The Wind Done Gone and Stereotypes of Black Women; 3 Audience Reception through the Lens of a 10 Million Dollar Lawsuit; 4 Unholy Narratives and Shameless Acts: Kara Walker's Side-Long Glance; 5 Racist Visual Images?: Museum Comment Books and Viewer Response; 6 Troubling Blackness: The Source Magazine and the Hip-Hop Nation; 7 The Narrative Disrupted: Reading Letters, Rewriting Identity 327 $a8 Conclusion: Reframing Debates and Analyses of Controversial Black CultureNotes; Bibliography; Index 330 $aAudience, Agency and Identity in Black Popular Culture analyses black cultural representations that appropriate anti-black stereotypes. Using examples from literature, media, and art, Worsley examines how these cultural products do not rework anti-black stereotypes into seemingly positive images. Rather, they present anti-black stereotypes in their original forms and encourage audiences not to ignore, but to explore them. Shifting critical commentary from a need to censor these questionable images, Worsley offers a complex consideration of the value of and problems with these alter 410 0$aStudies in African American history and culture. 606 $aAfrican Americans in popular culture$xHistory$y20th century 606 $aAfrican American arts$y20th century 606 $aAfrican Americans$xIntellectual life$y20th century 606 $aAfrican Americans$xRace identity 606 $aRacism in popular culture$zUnited States$xHistory$y20th century 606 $aStereotypes (Social psychology)$zUnited States 606 $aHip-hop$xSocial aspects$zUnited States 606 $aRap (Music)$xSocial aspects$zUnited States 606 $aPopular culture$zUnited States$xHistory$y20th century 608 $aElectronic books. 615 0$aAfrican Americans in popular culture$xHistory 615 0$aAfrican American arts 615 0$aAfrican Americans$xIntellectual life 615 0$aAfrican Americans$xRace identity. 615 0$aRacism in popular culture$xHistory 615 0$aStereotypes (Social psychology) 615 0$aHip-hop$xSocial aspects 615 0$aRap (Music)$xSocial aspects 615 0$aPopular culture$xHistory 676 $a305.896/07300904 676 $a305.896073 700 $aWorsley$b Shawan M$0909650 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454302203321 996 $aAudience, agency and identity in Black popular culture$92035598 997 $aUNINA