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100   $a20180706d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 12$aA philosophy of computer art /$fDominic McIver Lopes
210  1$aLondon ;$aNew York :$cRoutledge,$d2010.
215   $a1 online resource (160 p.)
300   $aDescription based upon print version of record.
311   $a0-415-54762-8 
311   $a0-415-54761-X 
320   $aIncludes bibliographical references and index.
327   $aBOOK COVER; TITLE; COPYRIGHT; CONTENTS; ILLUSTRATIONS; PREFACE; ACKNOWLEDGEMENTS; 1 THE MACHINE IN THE GHOST; 2 A COMPUTER ART FORM; 3 LIVE WIRES: COMPUTING INTERACTION; 4 WORK TO RULE; 5 ARTIST TO AUDIENCE; 6 COMPUTER ART POETICS; 7 ATARI TO ART; ENVOI: A NEW LAOCOO?N; NOTES; BIBLIOGRAPHY; INDEX
330   $aWhat is computer art? Do the concepts we usually employ to talk about art, such as 'meaning', 'form' or 'expression' apply to computer art? A Philosophy of Computer Art is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as 'interactivity' and 'user'. Drawing on a wealth of examples he also explains how the roles of the computer artist and computer art user distinguishes them from makers 
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606   $aArt and technology
608   $aElectronic books.
615  0$aComputer art$xPhilosophy.
615  0$aArt and technology.
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950   $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI F. Varvaro3067                                                    $eSI    32252    7                            Dono Prof. Alberto Varvaro.
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