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135   $aur|n|---|||||
181   $ctxt
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200 10$aPoetic obligation$b[electronic resource] $eethics in experimental American poetry after 1945 /$fG. Matthew Jenkins
210   $aIowa City $cUniversity of Iowa Press$dc2008
215   $a1 online resource (283 p.)
300   $aDescription based upon print version of record.
311   $a1-58729-635-7 
320   $aIncludes bibliographical references (p. [243]-258) and index.
327   $aIntroduction: The double-double turn -- pt. 1. Objectivist poethics -- Saying obligations: George Oppen's Of being numerous -- A phenomenology of judgment: Charles Reznikoff's Holocaust -- pt. 2. Excess and eros. The ethics of excess: Edward Dorn's Gunslinger -- The body ethical: Robert Duncan's Passages -- pt. 3. An ethics of sexual alterity. The nearnes sof poetry: Susan Howe's The nonconformist's memorial -- Permeable ethics: Lyn Hejinian's The cell -- Conclusion: What difference does poetic obligation make?
330   $aSince at least the time of Plato's Republic, the relationship between poetry and ethics has been troubled. Through the prism of what has been called the "new" ethical criticism, inspired by the work of Emmanuel Levinas, G. Matthew Jenkins considers the works of Objectivists, Black Mountain poets, and Language poets in light of their full potential to reshape this ancient relationship.
606   $aAmerican poetry$y20th century$xHistory and criticism
606   $aExperimental poetry, American$xHistory and criticism
606   $aEthics in literature
608   $aElectronic books.
615  0$aAmerican poetry$xHistory and criticism.
615  0$aExperimental poetry, American$xHistory and criticism.
615  0$aEthics in literature.
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700   $aJenkins$b Grant Matthew$0980097
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