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181   $ctxt
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200 10$aPossessed$b[electronic resource] $ehypnotic crimes, corporate fiction, and the invention of cinema /$fStefan Andriopoulos ; translated by Peter Jansen and Stefan Andriopoulos
210   $aChicago $cUniversity of Chicago Press$d2008
215   $a1 online resource (217 p.)
225 1 $aCinema and modernity
300   $aTranslated from the German.
311   $a0-226-02054-1 
320   $aIncludes filmography: p. [163]-170.
320   $aIncludes bibliographical references (p. [171]-202) and index.
327   $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tINTRODUCTION -- $tI. TALES OF HYPNOTIC CRIME -- $tII. INVISIBLE CORPORATE BODIES -- $tIII. STAGING THE HYPNOTIC CRIME -- $tIV. BERNHEIM, CALIGARI, MABUSE: CINEMA AND HYPNOTISM -- $tV. HUMAN AND CORPORATE BODIES IN BROCH AND KAFKA -- $tEPILOGUE -- $tAPPENDIX A. FILMOGRAPHY -- $tBIBLIOGRAPHY -- $tINDEX
330   $aSilent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries.            Tracing this preoccupation through the period's films-as well as its legal, medical, and literary te
410  0$aCinema and modernity.
606   $aHypnotism in motion pictures
606   $aHypnotism in literature
606   $aHypnotism and crime
606   $aCorporations$xCorrupt practices
608   $aElectronic books.
615  0$aHypnotism in motion pictures.
615  0$aHypnotism in literature.
615  0$aHypnotism and crime.
615  0$aCorporations$xCorrupt practices.
676   $a791.43/6556
700   $aAndriopoulos$b Stefan$0916904
701   $aAndriopoulos$b Stefan$0916904
701   $aJansen$b Peter$0916905
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801  1$bMiAaPQ
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906   $aBOOK
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