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200 1 $aVergil's messianic eclogue$eits meaning, occasion, & sources$gthree studies by Joseph B. Mayor, W. Warde Fowler, R.S. Conway$gwith the texte of the eclogue and verse translation by R.S. Conway
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181   $ctxt
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200 14$aThe resurrection of the body$b[electronic resource] $ePier Paolo Pasolini from Saint Paul to Sade /$fArmando Maggi
210   $aChicago $cUniversity of Chicago Press$d2009
215   $a1 online resource (420 p.)
300   $aDescription based upon print version of record.
311   $a0-226-50134-5 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $tINTRODUCTION. Sodom, Its Inhabitants, and Its Language in Pasolini's Final Works -- $t1. A Body of Nostalgia: Pasolini's Self-Portrait in the Film Project Saint Paul -- $t2. The Journey to Sodom and Gomorrah and Beyond: The Scenario Porn-Theo-Colossal -- $t3. "A Diluted Reel of Film in My Brain": To Preach a New "Word of Abjuration" in Petrolio -- $t4. To Give Birth in Sal`o and Sade's The 120 Days of Sodom -- $tCONCLUSION. "A Schizophrenic Child Is a Tiny Dot, I Dreamed Once": Metamorphosis in Mario Mieli and Pasolini -- $tAppendix: A Basic Biography -- $tNotes -- $tBibliography -- $tIndex
330   $aItalian novelist, poet, and filmmaker Pier Paolo Pasolini was brutally killed in Rome in 1975, a macabre end to a career that often explored humanity's capacity for violence and cruelty. Along with the mystery of his murderer's identity, Pasolini left behind a controversial but acclaimed oeuvre as well as a final quartet of beguiling projects that signaled a radical change in his aesthetics and view of reality. The Resurrection of the Body is an original and compelling interpretation of these final works: the screenplay Saint Paul, the scenari
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