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010   $a9786612243394
010   $a0-7546-9382-1
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181   $ctxt
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200 10$aB-sides, undercurrents and overtones$b[electronic resource] $eperipheries to popular in music, 1960 to the present /$fGeorge Plasketes
210   $aFarnham, England ;$aBurlington, VT $cAshgate$dc2009
215   $a1 online resource (222 p.)
225 1 $aAshgate popular and folk music series
300   $aDescription based upon print version of record.
311   $a0-7546-6561-5 
320   $aIncludes bibliographical references (p. [195]-201) and index.
327   $aCover; Contents; General Editor's Preface; Preface: My Back Pages; Acknowledgements; Introduction: The Flip Side: Let It B; 1 Get Your 45's On: Terry Melcher, Lost in the Surf and Sun of the 1960's Sound Waves; 2 How the Midwest Was Won: The Chicago Suburbs Seven, a Mid-1960's Regional Rotation; 3 Covering Outside the Lines: Hans Fenger and the Langley Schools Music Project; 4 Geffen Records v. Neil Young: The Battle of the Brands; 5 Music and Movie Mutuality: Ry Cooder, the Involved Bystander; 6 World Music Missionaries: Cross Cultural Convergences
327   $a7 The Vital Visual Voice of the Videotape Editor: Seamlessly Sculpting Graceland: The African Concert 8 Rock Around the Cop: Bochco's Broadway Blue Print as Television Musical Muse and Martyr; 9 Must Sing TV: Pop Rock Sitcom Cameo Obscuras; 10 Umbilical Musical Chords: Lineage, Legacy and Mom and Pop Pedigree; 11 Die Another Day: Warren Zevon's Desperado "Deteriorata"; Bibliography; Index
330   $aThere are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that...
410  0$aAshgate popular and folk music series.
606   $aPopular music$zUnited States$xHistory and criticism
606   $aMusic$zUnited States$xHistory and criticism
608   $aElectronic books.
615  0$aPopular music$xHistory and criticism.
615  0$aMusic$xHistory and criticism.
676   $a781.640973/09045
700   $aPlasketes$b George$0848348
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910453990303321
996   $aB-sides, undercurrents and overtones$91894768
997   $aUNINA