LEADER 03381nam 2200637 450 001 9910453951803321 005 20210525022915.0 010 $a1-281-77656-4 010 $a9786611776565 010 $a0-8135-4496-3 024 7 $a10.36019/9780813544960 035 $a(CKB)1000000000542093 035 $a(EBL)358315 035 $a(OCoLC)437222348 035 $a(SSID)ssj0000173102 035 $a(PQKBManifestationID)11180130 035 $a(PQKBTitleCode)TC0000173102 035 $a(PQKBWorkID)10161680 035 $a(PQKB)11191012 035 $a(MiAaPQ)EBC358315 035 $a(OCoLC)276270115 035 $a(MdBmJHUP)muse23276 035 $a(DE-B1597)529533 035 $a(DE-B1597)9780813544960 035 $a(Au-PeEL)EBL358315 035 $a(CaPaEBR)ebr10240590 035 $a(CaONFJC)MIL177656 035 $a(OCoLC)1096456027 035 $a(EXLCZ)991000000000542093 100 $a20070913d2008 uy| 0 101 0 $aeng 135 $aurun#---|u||u 181 $ctxt 182 $cc 183 $acr 200 14$aThe horse who drank the sky $efilm experience beyond narrative and theory /$fMurray Pomerance 210 1$aNew Brunswick, New Jersey :$cRutgers University Press,$d[2008] 210 4$dİ2008 215 $a1 online resource (274 p.) 300 $aDescription based upon print version of record. 311 0 $a0-8135-4327-4 320 $aIncludes bibliographical references (pages 235-245) and index. 327 $tFront matter --$tCONTENTS --$tACKNOWLEDGMENTS --$tOverture --$t1. A Voluptuous Gaze --$t2. The Hero in the China Sea --$t3. A Great Face --$t4. The Smoke and the Knife --$t5. A Call from Everywhere --$t6. As Time Goes By --$t7. The Speaking Eye --$t8. Not an Unusual Story --$t9. The Horse Who Drank the Sky --$tWorks Cited and Consulted --$tIndex 330 $aWhat is most important about cinema is that we are alive with it. For all its dramatic, literary, political, sociological, and philosophical weight, film is ultimately an art that provokes, touches, and riddles the viewer through an image that transcends narrative and theory. In The Horse Who Drank the Sky, Murray Pomerance brings attention to the visceral dimension of movies and presents a new and unanticipated way of thinking about what happens when we watch them. By looking at point of view, the gaze, the voice from nowhere, diegesis and its discontents, ideology, the system of the apparatus, invisible editing, and the technique of overlapping sound, he argues that it is often the minuscule or transitional moments in motion pictures that penetrate most deeply into viewers' experiences. In films that include Rebel Without a Cause, Dead Man, Chinatown, The Graduate, North by Northwest, Dinner at Eight, Jaws, M, Stage Fright, Saturday Night Fever, The Band Wagon, The Bourne Identity, and dozens more, Pomerance invokes complexities that many of the best of critics have rarely tackled and opens a revealing view of some of the most astonishing moments in cinema. 606 $aMotion pictures 608 $aElectronic books. 615 0$aMotion pictures. 676 $a791.43 700 $aPomerance$b Murray$f1946-$0883499 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453951803321 996 $aThe horse who drank the sky$92486265 997 $aUNINA