LEADER 03775nam 2200625 a 450 001 9910453931603321 005 20200520144314.0 010 $a94-012-0707-0 024 7 $a10.1163/9789401207072 035 $a(CKB)2550000001046744 035 $a(EBL)3008318 035 $a(SSID)ssj0000836362 035 $a(PQKBManifestationID)12362318 035 $a(PQKBTitleCode)TC0000836362 035 $a(PQKBWorkID)11008239 035 $a(PQKB)10114496 035 $a(MiAaPQ)EBC3008318 035 $a(OCoLC)785943615 035 $a(nllekb)BRILL9789401207072 035 $a(Au-PeEL)EBL3008318 035 $a(CaPaEBR)ebr10660128 035 $a(OCoLC)923622547 035 $a(EXLCZ)992550000001046744 100 $a20120425d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWomen, destruction, and the avant-garde$b[electronic resource] $ea paradigm for animal liberation /$fKim Socha 210 $aAmsterdam ;$aNew York $cRodopi$d2012 215 $a1 online resource (272 p.) 225 0$aCritical animal studies ;$v1 300 $a"This interdisciplinary study fuses analysis of feminist literature and manifestos, radical political theory, critical vanguard studies, women's performance art, and popular culture to argue for the animal liberation movement as successor to the liberationist visions of the early twentieth-century avant-gardes, most especially the Surrealists"--Page (4) of cover. 311 $a90-420-3423-8 320 $aInclues bibliographical references (p. [241]-253) and index. 327 $aPreliminary Material -- Rooting for the Avant-Garde -- Avant-Garde Women Writers and Destruction in the Flesh -- Staring Back in the Flesh: Avant-Garde Performance as an ALM Paradigm -- Convulsive Beauty, Infinite Spheres and Irrational Reasons?Reverie on a New Consciousness -- Love and Laughter Now: Plucking at Stems or Uprooting Oppression? -- Works Cited -- Index. 330 $aThis interdisciplinary study fuses analysis of feminist literature and manifestos, radical political theory, critical vanguard studies, women?s performance art, and popular culture to argue for the animal liberation movement as successor to the liberationist visions of the early twentieth-century avant-gardes, most especially the Surrealists. These vanguard groups are judiciously critiqued for their refusal to confront their own misogyny, a quandary that continues to plague animal activists, thereby disallowing for cohesion and full recognition of women?s value within a culturally marginalized cause. This volume is of interest to anyone who is concerned about the continued?indeed, escalating?violence against nonhumans. More broadly, it will interest those seeking new pathways to challenge the dominant power constructions through which oppression of humans, nonhumans, and the environment thrives. Women, Destruction, and the Avant-Garde ultimately poses the animal liberation movement as having serious political and cultural implications for radical social change, destruction of hierarchy and for a world without shackles and cages, much as the Surrealists envisioned. 410 0$aCritical Animal Studies$v1. 606 $aAnimal rights movement 606 $aFeminism 606 $aAvant-garde (Aesthetics)$xHistory$y20th century 608 $aElectronic books. 615 0$aAnimal rights movement. 615 0$aFeminism. 615 0$aAvant-garde (Aesthetics)$xHistory 676 $a179/.3 700 $aSocha$b Kim$0979954 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453931603321 996 $aWomen, destruction, and the avant-garde$92234921 997 $aUNINA LEADER 02647nam 2200421 450 001 9910629585103321 005 20230515043544.0 024 7 $a10.1515/9783110775761 035 $a(CKB)5590000001000932 035 $a(NjHacI)995590000001000932 035 $a(EXLCZ)995590000001000932 100 $a20230515d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aImage, Text, Stone $eIntermedial Perspectives on Graeco-Roman Sculpture /$fedited by Nikolaus Dietrich and Johannes Fouquet 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d[2022] 210 4$dİ2022 215 $a1 online resource (viii, 374 pages) $cillustrations 225 1 $aMateriale Textkulturen ;$v36 311 $a3-11-077580-8 330 $aThis edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and 'decorative' marble-objects, and through its methodological emphasis on 'close viewing' (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its 'long life', the viewing and 'reading' of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context. 410 0$aMateriale Textkulturen ;$v36. 606 $aSculpture, Classical 606 $aSculpture, Greek 615 0$aSculpture, Classical. 615 0$aSculpture, Greek. 676 $a733 702 $aDietrich$b Nikolaus 702 $aFouquet$b Johannes 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910629585103321 996 $aImage, Text, Stone$92898702 997 $aUNINA