LEADER 04284nam 2200613 a 450 001 9910453930303321 005 20200520144314.0 010 $a94-012-0741-0 024 7 $a10.1163/9789401207416 035 $a(CKB)2550000001046742 035 $a(EBL)3008316 035 $a(SSID)ssj0001177211 035 $a(PQKBManifestationID)11697295 035 $a(PQKBTitleCode)TC0001177211 035 $a(PQKBWorkID)11156202 035 $a(PQKB)11138265 035 $a(MiAaPQ)EBC3008316 035 $a(OCoLC)779881714$z(OCoLC)907139074 035 $a(nllekb)BRILL9789401207416 035 $a(Au-PeEL)EBL3008316 035 $a(CaPaEBR)ebr10660126 035 $a(OCoLC)923622592 035 $a(EXLCZ)992550000001046742 100 $a20130301d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDestruction in the performative$b[electronic resource] /$fedited and with an introduction by Alice Lagaay and Michael Lorber 210 $aAmsterdam $cRodopi$d2012 215 $a1 online resource (220 p.) 225 1 $aCritical studies ;$vv. 36 300 $aDescription based upon print version of record. 311 $a90-420-3457-2 320 $aIncludes bibliographical references. 327 $tPreliminary Material /$rAlice Lagaay and Michael Lorber -- $tIntroduction: Destruction in the Performative /$rAlice Lagaay and Michael Lorber -- $tRecognition and Disrespect: Lordship and Bondage in Hegel?s Phenomenology of Spirit /$rSteffen K. Herrmann -- $tHegemonic Listening and Subversive Silences: Ethical-political Imperatives /$rNikita Dhawan -- $tTwo Saints and the Power of the Auditive /$rRebecca Wolf -- $tAcoustic Violence in Contemporary German Theatre /$rJenny Schrödl -- $tAsceticism Poses a Threat: The Enactment of Voluntary Hunger /$rBarbara Gronau -- $tSalomania ? Trans and Trans-temporal: A Queer Archaeology of Destructiveness /$rRenate Lorenz -- $tMasochistic Self-shattering between Destructiveness and Productivity /$rVolker Woltersdorff -- $tTriggering Latency Zones in Modern Society: Richard Serra?s Sculptures within the Urban Setting /$rKristiane Hasselmann -- $tCreative Destructions: Gabriel Tarde?s Concept of a Passionate Economy /$rKatja Rothe -- $tCode Decay: Organizational Performance and Destructivity /$rRobert Schmidt -- $tList of Contributors /$rAlice Lagaay and Michael Lorber. 330 $aCultural transformation tends to be described in one of two ways: either with reference to what comes about, is created or emerges in the process of change or with reference to what is destroyed or obscured in that process. Within a performative paradigm, that is, from a perspective which focuses on the manner in which social and cultural reality is constituted or brought about by human activity, theorists have, in recent years, tended to underline the productive aspects of transformation by emphasising the creative thrust of performative processes and events. In so doing, this perspective has tended to overlook the extent to which a certain destructive element may in fact be inherent to such performative processes. Drawing upon a range of historical and contemporary constellations of socio-cultural change and a variety of different types of events and activities, the articles in this volume describe different forms of destruction and their respective role in processes of transformation. Their shared aim is to explore the manner in which destructivity, such as the destabilisation and destruction of orders, subjects and bodies, can be grasped by concepts of performativity. In other words, to what extent may a certain destructive dynamic be inscribed within this very notion? 410 0$aCritical studies (Amsterdam, Netherlands) ;$vv. 36. 606 $aPerformative (Philosophy) 606 $aCreative destruction 608 $aElectronic books. 615 0$aPerformative (Philosophy) 615 0$aCreative destruction. 676 $a306 701 $aLagaay$b Alice$0970733 701 $aLorber$b Michael$0970734 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453930303321 996 $aDestruction in the performative$92206431 997 $aUNINA