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100   $a20070504d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDocumentary time$b[electronic resource] $efilm and phenomenology /$fMalin Wahlberg
210   $aMinneapolis $cUniversity of Minnesota Press$dc2008
215   $a1 online resource (189 p.)
225 1 $aVisible evidence ;$vv. 21
300   $aDescription based upon print version of record.
311   $a0-8166-4969-3 
311   $a0-8166-4968-5 
320   $aIncludes bibliographical references (p. 151-164) and index.
327   $aContents; Acknowledgments; Introduction; Part I: Framing Change, Invoking the Moment; 1 The Phenomenology of Image and Time; 2 The Time-Image and the Trace; 3 Frame-Breaking Events and Motifs beyond Representation; Part II: Experimental Figures of Time; 4 The Interval and Pulse Beat of Rhythm; 5 Screen Events of Velocity and Duration; 6 Telling Signs of Loss: Beginnings of Possible Stories; 7 The Trace in Contemporary Media; Documentary Time: An Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z
330   $aFinding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. Wahlberg discusses a corpus of clas
410  0$aVisible evidence ;$vv. 21.
606   $aDocumentary films$xHistory and criticism
606   $aTime in motion pictures
608   $aElectronic books.
615  0$aDocumentary films$xHistory and criticism.
615  0$aTime in motion pictures.
676   $a070.1/8
700   $aWahlberg$b Malin$0936769
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910453899603321
996   $aDocumentary time$92109908
997   $aUNINA