LEADER 03635nam 2200721 a 450 001 9910453871603321 005 20200520144314.0 010 $a1-281-92542-X 010 $a9786611925420 010 $a0-19-156316-1 035 $a(CKB)1000000000707205 035 $a(EBL)415561 035 $a(OCoLC)300701718 035 $a(SSID)ssj0000207045 035 $a(PQKBManifestationID)12059082 035 $a(PQKBTitleCode)TC0000207045 035 $a(PQKBWorkID)10235619 035 $a(PQKB)10266068 035 $a(MiAaPQ)EBC415561 035 $a(Au-PeEL)EBL415561 035 $a(CaPaEBR)ebr10266597 035 $a(CaONFJC)MIL192542 035 $a(EXLCZ)991000000000707205 100 $a20080819d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and the Irish literary imagination$b[electronic resource] /$fHarry White 210 $aOxford ;$aNew York $cOxford University Press$d2008 215 $a1 online resource (279 p.) 300 $aDescription based upon print version of record. 311 $a0-19-954732-7 320 $aIncludes bibliographical references (p. [244]-249) and index. 327 $aWords for music : in search of the Irish Omphalos -- The auditory imagination of Thomas Moore -- W.B. Yeats and the music of poetry -- Why J.M. Synge abandoned music -- Opera and drama : Bernard Shaw and "The brandy of the damned" -- The 'thought-tormented music' of James Joyce -- Words after music : Samuel Beckett after Joyce -- Operas of the Irish mind : Brian Friel and music -- Words alone : Seamus Heaney, music, and the jurisdiction of literary forms. 330 $aThis new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney. - ;Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. 606 $aEnglish literature$xIrish authors$xHistory and criticism 606 $aEnglish literature$xIrish authors$xMusical settings$xHistory and criticism 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aEnglish literature$y20th century$xHistory and criticism 606 $aMusic and literature$xHistory$y19th century 606 $aMusic and literature$xHistory$y20th century 606 $aMusic$zIreland$y19th century$xHistory and criticism 606 $aMusic$zIreland$y20th century$xHistory and criticism 608 $aElectronic books. 615 0$aEnglish literature$xIrish authors$xHistory and criticism. 615 0$aEnglish literature$xIrish authors$xMusical settings$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 615 0$aMusic and literature$xHistory 615 0$aMusic and literature$xHistory 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a820.9/35780899162 700 $aWhite$b Harry$0608101 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453871603321 996 $aMusic and the Irish literary imagination$91125411 997 $aUNINA