LEADER 04466nam 2200649 450 001 9910453859003321 005 20200520144314.0 010 $a1-78320-301-3 010 $a1-78320-300-5 035 $a(CKB)2550000001277111 035 $a(EBL)1678724 035 $a(SSID)ssj0001218550 035 $a(PQKBManifestationID)11653658 035 $a(PQKBTitleCode)TC0001218550 035 $a(PQKBWorkID)11210487 035 $a(PQKB)10747121 035 $a(MiAaPQ)EBC1678724 035 $a(Au-PeEL)EBL1678724 035 $a(CaPaEBR)ebr10863005 035 $a(CaONFJC)MIL599271 035 $a(OCoLC)880910625 035 $a(EXLCZ)992550000001277111 100 $a20140430h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe emergence of video processing tools $etelevision becoming unglued /$fedited by Kathy High, Sherry Miller Hocking and Mona Jimenez 210 1$aBristol, England ;$aChicago, Illinois :$cIntellect Ltd,$d2014. 210 4$dİ2014 215 $a1 online resource (738 p.) 300 $aIncludes index. 311 $a1-84150-663-X 311 $a1-306-68020-4 327 $aFront Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco 327 $aThe Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool 327 $aA Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions 327 $aExpanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton 327 $aProposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover 330 $aThe Emergence of Video Processing Tools presents stories of the development of early video tools and systems designed and built by artists and technologists during the late 1960's and 70's. 606 $aImage processing$xData processing 606 $aArt and science$vExhibitions 608 $aElectronic books. 615 0$aImage processing$xData processing. 615 0$aArt and science 676 $a776.6 702 $aHigh$b Kathryn 702 $aHocking$b Sherry Miller 702 $aJimenez$b Mona 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453859003321 996 $aThe emergence of video processing tools$91940554 997 $aUNINA