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010   $a1-281-78554-7
010   $a9786611785543
010   $a0-335-23627-8
035   $a(CKB)1000000000542513
035   $a(EBL)361578
035   $a(OCoLC)271677031
035   $a(MiAaPQ)EBC361578
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100   $a20080222d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
200 10$aRethinking documentary$b[electronic resource] $enew perspectives and practices /$fedited by Thomas Austin and Wilma de Jong
210   $aBuckingham $cOpen University$d2008
215   $a1 online resource (372 p.)
300   $aDescription based upon print version of record.
311   $a0-335-22191-2 
320   $aIncludes bibliographical references and index.
327   $aFront Cover; Half-title; Title Page; Copyright Page; Content Page; Notes on Contributors; Acknowledgements; Introduction: Rethinking documentary; PART 1: Critical Perspectives on Documentary Forms and Concepts; Chapter 1: Documentary Studies: Dimensions of transition and continuity; Chapter 2: The Question of Evidence, the Power of Rhetoric and Documentary Film; Chapter 3: First-person Films: Some theses on self-inscription; Chapter 4: ' ...To Leave the Confinements of His Humanness': Authorial voice, death and constructions of nature inWerner Herzog's Grizzly Man
327   $aChapter 5: Collective Subjectivity in The Children of Golzow vs. Alienation in 'Western' Interview DocumentaryChapter 6: Documentary as Critical and Creative Research; Chapter 7: Reframing Ethnographic Film; Chapter 8: Transcendental Realism in Documentary; Chapter 9: Filming 'the Invisible'; Part II: The Changing Faces of Documentary Production; Chapter 10: Developing and Producing a Feature Documentary: The case of Deep Water; Chapter 11: Filmmakers and Their Subjects; Chapter 12: From Eight-Man Crew to One-Woman Band: My life in television documentary
327   $aChapter 13: 'You Want to Know That, This Is Real, This Is What Happened': An interview with John SmithsonChapter 14: 'The Idea That There's a ''Truth'' That You Discover Is Like Chasing the End of a Rainbow': An interview with Ralph Lee; Chapter 15: Rice N Peas: Alternative, independent and provocative; Chapter 16: 'The Importance of Memory': An interview with Ai Xiaoming; Part III: Contemporary Documentary: Borders, Neighbours and Disputed Territories; Chapter 17: Drama-documentary, Ethics and Notions of Performance: The 'Flight 93' Films; Chapter 18: Mockumentary: A call to play
327   $aChapter 19: Documentary Modes of EngagementChapter 20: 'Ask the Fastidious Woman from Surbiton to Hand-wash the Underpants of the Aging Oldham Skinhead ...' Why not Wife Swap?; Chapter 21: Simulating the Public Sphere; Chapter 22: TheWork ofWork Reality TV and the negotiation of neo-liberal labour in The Apprentice; Part IV: Digital and Online Documentaries: Opportunities and Limitations; Chapter 23: Documentary Viewing Platforms; Chapter 24: Online Documentary; Chapter 25: Public domains: Engaging Iraq through experimental documentary digitalities
327   $aChapter 26: Documentary on YouTube: The failure of the direct cinema of the sloganBibliography; Index; Back Cover
330   $aFrom a boom in theatrical features to footage posted on websites such as YouTube and Google Video, the early years of the 21st century have witnessed significant changes in the technological, commercial, political, and social dimensions of documentaries on film, television and the web. This book assesses ideas and constructions of documentary.
606   $aDocumentary films
606   $aDocumentary mass media
608   $aElectronic books.
615  0$aDocumentary films.
615  0$aDocumentary mass media.
676   $a070.1
676   $a791.436
700   $aDe Jong$b Wilma$0979787
701   $aAustin$b Thomas$0394559
701   $aDe Jong$b Wilma$0979787
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910453855003321
996   $aRethinking documentary$92234564
997   $aUNINA