LEADER 03874nam 2200625Ia 450 001 9910453822703321 005 20200520144314.0 010 $a1-281-77623-8 010 $a9786611776237 010 $a1-84150-251-0 035 $a(CKB)1000000000555614 035 $a(EBL)361749 035 $a(OCoLC)476191072 035 $a(SSID)ssj0000283329 035 $a(PQKBManifestationID)11234908 035 $a(PQKBTitleCode)TC0000283329 035 $a(PQKBWorkID)10247292 035 $a(PQKB)10991769 035 $a(MiAaPQ)EBC361749 035 $a(PPN)182358739 035 $a(Au-PeEL)EBL361749 035 $a(CaPaEBR)ebr10251421 035 $a(CaONFJC)MIL177623 035 $a(EXLCZ)991000000000555614 100 $a20030410d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aQueer cinema in Europe$b[electronic resource] /$f[edited by] Robin Griffiths 210 $aBristol, UK ;$aChicago $cIntellect Books$d2008 215 $a1 online resource (234 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-079-8 320 $aIncludes bibliographical references. 327 $aFront Cover; Prelimiary Pages; Contents; List of Illustrations; Acknowledgements; Notes on Contributors; Introduction: Contesting Borders: Mapping a European Queer Cinema; Part One: Queer Identities; Chapter 1: Queering the Family in Franc?ois Ozon's Sitcom; Chapter 2: Representing Gay Male Domesticity in French Film of the Late 1990's; Chapter 3: The Films of Ducastel and Martineau: Gay Identity, the Family, and the Autobiographical Self; Part Two: Queer Aesthetics; Chapter 4: The Body Picturesque: The Films of Bavo Defurne 327 $aChapter 5: The Mechanical Reproduction of Melodrama: Matthias Mu?ller's 'Home' Movies Chapter 6: The Animated Queer; Part Three: Queer Spaces; Chapter 7: Bars to Understanding?: Depictions of the 'Gay Bar' in Film with Specific Reference to Coming Out, Les nuits fauves, and Beautiful Thing; Chapter 8: Queer as Turk: A Journey to Three Queer Melodramas; Chapter 9: Bodies without Borders? Queer Cinema and Sexuality after the Fall; Chapter 10: School Is Out: British 'Coming Out' Films in the 1990's; Part Four: Queer Performances 327 $aChapter 11: Trans-Europe Success: Dirk Bogarde's International Queer Stardom Chapter 12: Subjection and Power in Monika Treut and Elfi Mikesch's Seduction - The Cruel Woman: An Extension of the Configuration of Power in Rainer Werner Fassbinder's Late Oeuvre; Chapter 13: Berlin Is Running: Olympic Memories and Queer Performances; Chapter 14: Transgressive Drag Kings, Defying Dildoed Dykes: A Look at Contemporary Swedish Queer Film; Back Cover 330 $aThis landmark collection draws together a number of accessible and. insightful essays that explore, for the first time, an exciting new area of academic analysis and debate. Through case studies of key films and filmmakers, the contributors to this volume re-situate discussions of queer representation and desire within a uniquely diverse and divergent European context. And raise many provocative questions about understandings of gender, sexuality and identity in film that spill across a variety of national borders, cultures and traditions. Topics include: - queer nationality and the films 606 $aHomosexuality in motion pictures 606 $aMotion pictures$zEurope$xHistory 608 $aElectronic books. 615 0$aHomosexuality in motion pictures. 615 0$aMotion pictures$xHistory. 676 $a791.43653 676 $a791.43653 22 701 $aGriffiths$b Robin$01053133 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453822703321 996 $aQueer cinema in Europe$92484856 997 $aUNINA