LEADER 05297nam 22006132 450 001 9910453794003321 005 20151002020706.0 010 $a1-78308-113-9 035 $a(CKB)2550000001255287 035 $a(EBL)1665606 035 $a(SSID)ssj0001179931 035 $a(PQKBManifestationID)11667765 035 $a(PQKBTitleCode)TC0001179931 035 $a(PQKBWorkID)11199184 035 $a(PQKB)10894046 035 $a(UkCbUP)CR9781783081134 035 $a(MiAaPQ)EBC1665606 035 $a(Au-PeEL)EBL1665606 035 $a(CaPaEBR)ebr10856980 035 $a(CaONFJC)MIL588061 035 $a(OCoLC)877769554 035 $a(EXLCZ)992550000001255287 100 $a20140407d2014|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe collected works of Ann Hawkshaw /$fedited by Debbie Bark$b[electronic resource] 210 1$aLondon :$cAnthem Press,$d2014. 215 $a1 online resource (xl, 468 pages) $cdigital, PDF file(s) 225 1 $aAnthem Nineteenth-Century Series 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a1-78308-021-3 311 $a1-306-56810-2 320 $aIncludes bibliographical references and indexes. 327 $aThe Collected Works of Ann Hawkshaw; Title; Copyright; Contents; Preface and Acknowledgements; Biographical Introduction; 1842 'DIONYSIUS THE AREOPAGITE', WITH OTHER POEMS; Introductory Stanzas; Dionysius, the Areopagite; Part I.; I.; II.; III.; IV.; V.; VI.; VII.; VIII.; IX.; X.; XI.; Part II.; I.; II.; III.; IV.; V.; Part III.; I.; II.; The Past; I.; II.; III.; IV.; V.; VI.; VII.; VIII.; IX.; X.; XI.; XII.; XIII.; XIV.; XV.; XVI.; XVII.; XVIII.; XIX.; XX.; XXI.; XXII.; XXIII.; XXIV.; XXV.; XXVI.; XXVII.; XXVIII.; XXIX.; XXX.; XXXI.; The Future; I.; II.; III.; IV.; V.; VI.; VII.; VIII.; IX. 327 $aX.XI.; XII.; XIII.; XIV.; XV; XVI.; XVII.; XVIII.; XIX.; XX.; XXI.; XXII.; XXIII.; XXIV.; XXV.; XXVI.; XXVII.; XXVIII.; XXIX.; XXX.; Wild Flowers; The Welsh Bard's Last Song; Spring to the Flowers; Sonnet-To America; Palestine; Land of my Fathers; To Fountain's Abbey; To a Bereaved Father; The Exile Song; The Mother to her Starving Child; To-- on the Death of Three of her Children; To-- after the Death of her Daughter; Lines on a Friend lost at Sea; The Prophet's Lament; Song; The Greek Girl's Song; The Captive King; Why am I a Slave?; Sonnet to--; 1843 'LIFE'S DULL REALITY' 327 $a1847 POEMS FOR MY CHILDRENSpring is Coming; Mary's Wish; The Festival of the Last of October-Scene in the Time of the Druids; Common Things; The Little Wanderers; Part I.-The Resolve; Part II.-The Avalanche; Part III.-The Cave in the Mountains; The Wind; Scene in the Time of the Romans; The City Child's Complaint; The First Spring Flowers; To Editha; Editha; The Oak Tree; I do not love the Night; Thinking and Dreaming; King Alfred and His Mother-a Scene in the Time of the Saxons; The Angel Friend; The Stream; The Poor Fly-for my little Harry; The Land of my Dreams 327 $aThe History of a Coral IsletThe Hermit, the Chieftain, and the Child-a Tale about Happiness; God is Love; The Monk of Chester-a Scene in the Time of the Normans; A Talk in Furness Abbey.-to J.C.H; A Little Girl's Wish; Sir Oswald's Return-a Scene in the Time of the Crusades; Part I.; Part II.; Ada; 1854 SONNETS ON ANGLO-SAXON HISTORY; Introductory.; I. The beginning.; II. Progress.; III. The Druids.; IV. The Romans.; V. Christianity.; VI. Christianity in Britain.; VII. Change.; VIII. The Saxons.-I.; IX. The Saxons.-II.; X. Saxon Mythology.; XI. Christianity received by the Saxons.-I. 327 $aXII. Christianity received by the Saxons.-II.XIII. Merlin.; XIV. Ethelbert examining the Christian Doctrines.; XV. Ethelbert embraces Christianity; XVI. The great Edwin of Northumbria.-I.; XVII. Edwin of Northumbria.-II.; XVIII. The Thane Lilla saving Edwin.-III.; XIX. Caedmon the Anglo-Saxon Poet.; XX. The Chronicler.; XXI. The Venerable Bede.-I.; XXII. The Venerable Bede.-II.; XXIII. The death of Bede.-III.; XXIV. The Northmen.; XXV. Destruction of the Abbey of Peterborough by the Northmen.; XXVI. Under-Currents.; XXVII. The Serf.; XXVIII. The Serf Freed.; XXIX. Ina resigning his Crown. 327 $aXXX. The Pilgrim.-I. 330 $a'The Collected Works of Ann Hawkshaw' brings together Hawkshaw's four volumes of poetry and republishes them for the first time. Debbie Bark's biography, introduction and notes highlight Hawkshaw's most significant poems and propose connections with more canonical works alongside which her writing can be productively viewed. Hawkshaw's writings have been largely neglected since the early twentieth century, but this new volume reaffirms their ability to offer an exceptional insight into the changing political and religious landscape of the Victorian period. 410 0$aAnthem Nineteenth-Century Series 676 $a821/.8 676 $aB 700 $aHawkshaw$b Ann$f1812-1885,$01050554 702 $aBark$b Debbie 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910453794003321 996 $aThe collected works of Ann Hawkshaw$92480435 997 $aUNINA