LEADER 04066nam 22008293u 450 001 9910453737203321 005 20210507192848.0 010 $a0-8131-3874-4 010 $a1-282-97631-1 010 $a9786612976315 010 $a0-8131-7297-7 035 $a(CKB)1000000000539182 035 $a(EBL)792350 035 $a(OCoLC)262835138 035 $a(SSID)ssj0000271796 035 $a(PQKBManifestationID)11188810 035 $a(PQKBTitleCode)TC0000271796 035 $a(PQKBWorkID)10294451 035 $a(PQKB)10259172 035 $a(MiAaPQ)EBC792350 035 $a(EXLCZ)991000000000539182 100 $a20130418d2008|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWhy we fought $eAmerica's wars in film and history /$fedited by Peter C. Rollins and John E. O'Connor 210 $aLexington, Ky. $cThe University Press of Kentucky$d2008 215 $a1 online resource (624 p.) 225 1 $aFilm and History ;$vv.FMHI 300 $aDescription based upon print version of record. 311 $a0-8131-9191-2 311 $a0-8131-2493-X 327 $aCover; Title; Copyright; Dedication; CONTENTS; FOREWORD; ACKNOWLEDGMENTS; INTRODUCTION; Part I; 1 / John E. O'Connor; 2 / Frank Thompson; 3 / James Yates; 4 / Gary R . Edgerton; 5 / Robert M. Myers; Part II; 6 / Michael T. Isenberg; 7 / James Latham; 8 / David Imhoof; 9 / John Whiteclay Chambers II; 10 / Cynthia J. Miller; 11 / Ian S. Scott; 12 / Frank J. Wetta and Martin A. Novelli; 13 / J. E. Smyth; 14 / Robert Brent Toplin; Part III; 15 / Thomas W. Maulucci Jr; 16 / Susan A. George; 17 / Peter C. Rollins; 18 / Lawrence W. Lichty and Raymond L. Carroll; 19 / William S. Bushnell; Part IV 327 $a20 / John Shelton Lawrence and John G. McGarrahan21 / Jeffrey Chown; 22 / Stacy Takacs; 23 / James Kendrick; FILMOGRAPHY; BIBLIOGRAPHY; CONTRIBUTORS; INDEX; ABOUT THE EDITORS 330 $aThis book makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. Why We Fought: America's Wars in Film and History is a comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. The volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front (1930), Sands of Iwo Jima (1949), Apo 410 0$aFilm and History 606 $aUnited States - History, Military 606 $aUnited States -- History, Military 606 $aVietnam War, 1961-1975 -- Motion pictures and the conflict 606 $aWar films - History and criticism 606 $aWar films -- History and criticism 606 $aWar poetry, American -- History and criticism 606 $aWar stories, American -- History and criticism 606 $aWar films$xHistory and criticism 606 $aFilm$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 607 $aUnited States$xHistory, Military 608 $aElectronic books. 615 4$aUnited States - History, Military. 615 4$aUnited States -- History, Military. 615 4$aVietnam War, 1961-1975 -- Motion pictures and the conflict. 615 4$aWar films - History and criticism. 615 4$aWar films -- History and criticism. 615 4$aWar poetry, American -- History and criticism. 615 4$aWar stories, American -- History and criticism. 615 0$aWar films$xHistory and criticism 615 7$aFilm 615 7$aMusic, Dance, Drama & Film 676 $a791.43 676 $a791.436581 676 $a810.9358 701 $aRollins$b Peter C$01034078 701 $aO'Connor$b John E$01034079 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910453737203321 996 $aWhy we fought$92452982 997 $aUNINA