LEADER 03113oam 2200613I 450 001 9910453717803321 005 20200520144314.0 010 $a1-315-01860-8 010 $a1-136-56713-5 024 7 $a10.4324/9781315018607 035 $a(CKB)2550000001131249 035 $a(StDuBDS)AH25705245 035 $a(SSID)ssj0001165016 035 $a(PQKBManifestationID)11608220 035 $a(PQKBTitleCode)TC0001165016 035 $a(PQKBWorkID)11197694 035 $a(PQKB)10163866 035 $a(MiAaPQ)EBC1474555 035 $a(Au-PeEL)EBL1474555 035 $a(CaPaEBR)ebr10786671 035 $a(CaONFJC)MIL530958 035 $a(OCoLC)862049095 035 $a(OCoLC)900481784 035 $a(EXLCZ)992550000001131249 100 $a20180331e20051954 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOld Vic prefaces $eShakespeare and the producer /$fHugh Hunt 210 1$aLondon ;$aNew York :$cRoutledge,$d2005. 215 $a1 online resource (224 p.) 225 1 $aRoutledge library editions. Shakespeare. Performance ;$vIII 300 $aFirst published in 1954 by Routledge & Kegan Paul. 311 $a0-415-35318-1 311 $a1-299-99707-4 320 $aIncludes bibliographical references. 327 $a1. Love's Labour's Lost2. Hamlet3. Twelfth Night4. The Merry Wives of Windsor5. Romeo and Juliet6. The Merchant of Venice7. Julius Caesar 330 $aBetween 1949 and 1953, Hugh Hunt was a director of the Old Vic. This gave him access to some of the leading players to have performed on the stage, and this title reveals the actors' thoughts and feelings on the sorts of problems that confront the producer of a Shakesperian play. 330 $bOld Vic Prefaces is a collection of the author's talks to the actors on those plays which he produced, while a Director of the Old Vic from 1949 to 1953. The prefaces are unique in that they relate to actual performances, and each preface is followed by a short post-script in which the producer draws attention to some point that arose in production or in rehearsal, which illustrates the sort of problems that confront the producer of a Shakespeare play. Old Vic Prefaces is a collection of the author's talks to the actors on those plays which he produced, while a Director of the Old Vic from 1949 to 1953. The prefaces are unique in that they relate to actual performances, and each preface is followed by a short post-script in which the producer draws attention to some point that arose in production or in rehearsal, which illustrates the sort of problems that confront the producer of a Shakespeare play. 410 0$aRoutledge library editions.$pShakespeare ;$v3. 606 $aTheater$zEngland$zLondon$xHistory 608 $aElectronic books. 615 0$aTheater$xHistory. 676 $a224 700 $aHunt$b Hugh$f1911-1993.,$0562629 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453717803321 996 $aOld vic prefaces$9946739 997 $aUNINA