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100   $a20180331e20132002  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aTomas Gutierrez Alea $ethe dialectics of a filmmaker /$fPaul A. Schroeder
210  1$aLondon :$cRoutledge,$d2013.
215   $a1 online resource (322 p.)
225 0 $aLatin American Studies
300   $a"First published 2002"--T.p. verso.
311   $a0-415-93664-0 
311   $a1-306-38449-4 
320   $aIncludes bibliographical references and index.
327   $aCover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Preface; Introduction; Chapter 1: Context; Toma?s Gutie?rrez Alea: A Sketch; The Immediate Context: ICAIC and the Cuban Revolution; The Broad Context: New Latin American Cinema; Chapter 2: The Early Years: Idealism and Experimentation; Stories of the Revolution; The Twelve Chairs; Cumbite; Death of a Bureaucrat; Chapter 3: Memories Of Underdevelopment: The Dialectics Of Identification and Alienation; Genesis and Reception; Description of the Film; The Viewer's Dialectic; Film as Tragedy
327   $aPostmodern PostscriptChapter 4: The Search for Cuba's "Intra-Historia"; A Cuban Fight Against Demons; The Last Supper: Marxism Meets Christianity; The Survivors; Chapter 5: Up to a Certain Point: Turning the Lens on Himself; Chapter 6: Melodrama and the Crisis of the Revolution; Letters from the Park; Strawberry and Chocolate: Homosexuality, Marxism-Leninism, and Exile; Guantanamera; Chapter 7: Conclusions; The Intellectual; Religion; The Cuban Revolution; Notes; Select Bibliography; index
330   $aFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
410  0$aLatin American studies (Routledge (Firm))
608   $aElectronic books.
676   $a791.43/0233/092
700   $aSchroeder$b Paul A.$0974945
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910453613303321
996   $aTomas Gutierrez Alea$92220001
997   $aUNINA