LEADER 02485nam 2200577 a 450 001 9910453566003321 005 20200520144314.0 010 $a1-281-82556-5 010 $a9786611825560 010 $a0-19-155272-0 035 $a(CKB)1000000000552948 035 $a(EBL)415740 035 $a(OCoLC)476244632 035 $a(SSID)ssj0000241082 035 $a(PQKBManifestationID)11176609 035 $a(PQKBTitleCode)TC0000241082 035 $a(PQKBWorkID)10267902 035 $a(PQKB)11097094 035 $a(MiAaPQ)EBC415740 035 $a(Au-PeEL)EBL415740 035 $a(CaPaEBR)ebr10254505 035 $a(CaONFJC)MIL182556 035 $a(EXLCZ)991000000000552948 100 $a20080314d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSamuel Taylor Coleridge and the fine arts$b[electronic resource] /$fMorton D. Paley 210 $aOxford ;$aNew York $cOxford University Press$d2008 215 $a1 online resource (291 p.) 300 $aDescription based upon print version of record. 311 $a0-19-923305-5 320 $aIncludes bibliographical references (p. [244]-263) and index. 327 $aInitiation -- Italy -- What Coleridge saw -- Allston redux -- Coleridge on the fine arts -- The principles common to the fine arts. 330 $aIn a fascinating account of picture collections in the early 19th century through the eyes of a great English poet, Morton Paley tells the story of Coleridge's initiation into art in England, and his further exploration in Rome. He describes the collections Coleridge saw and his thoughts about the arts and about specific works. - ;Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from B 606 $aArt and literature$zEngland$xHistory$y19th century 606 $aArt appreciation$zEngland$xHistory$y19th century 608 $aElectronic books. 615 0$aArt and literature$xHistory 615 0$aArt appreciation$xHistory 676 $a821/.7 700 $aPaley$b Morton D$0202471 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453566003321 996 $aSamuel Taylor Coleridge and the fine arts$91108942 997 $aUNINA