LEADER 04062nam 2200673 a 450 001 9910453548703321 005 20200520144314.0 010 $a0-8014-6540-0 010 $a1-322-50385-0 010 $a0-8014-6584-2 024 7 $a10.7591/9780801465840 035 $a(CKB)2550000001192957 035 $a(OCoLC)820861325 035 $a(CaPaEBR)ebrary10612409 035 $a(SSID)ssj0000755946 035 $a(PQKBManifestationID)11496701 035 $a(PQKBTitleCode)TC0000755946 035 $a(PQKBWorkID)10731032 035 $a(PQKB)10548546 035 $a(MiAaPQ)EBC3138381 035 $a(OCoLC)1132220607 035 $a(MdBmJHUP)muse58374 035 $a(DE-B1597)515854 035 $a(OCoLC)1048346556 035 $a(DE-B1597)9780801465840 035 $a(Au-PeEL)EBL3138381 035 $a(CaPaEBR)ebr10612409 035 $a(CaONFJC)MIL681667 035 $a(EXLCZ)992550000001192957 100 $a20120422d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHollywood's last golden age$b[electronic resource] $epolitics, society, and the seventies film in America /$fJonathan Kirshner 210 $aIthaca $cCornell University Press$d2013 215 $a1 online resource (281 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8014-7816-2 311 $a0-8014-5134-5 320 $aIncludes bibliographical references and index. 327 $aBefore the flood -- Talkin' 'bout my generation -- 1968, Nixon, and the inward turn -- The personal is political -- Crumbling cities and revisionist history -- Privacy, paranoia, disillusion, and betrayal -- White knights in existential despair -- Businessmen drink my wine -- Appendix : 100 "seventies" films of the last golden age. 330 $aBetween 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period-including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves-were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970's largely ended Hollywood's embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters' interior lives. 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aMotion pictures$xSocial aspects$zUnited States 607 $aUnited States$xSocial conditions$y1960-1980 608 $aElectronic books. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xSocial aspects 676 $a791.430973 700 $aKirshner$b Jonathan$0614158 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453548703321 996 $aHollywood's last golden age$92476360 997 $aUNINA