LEADER 03063nam  2200625Ia 450 
001 9910453542703321
005 20200520144314.0
010   $a1-78138-775-3
010   $a1-84631-361-9
035   $a(CKB)1000000000541191
035   $a(EBL)380749
035   $a(OCoLC)476210019
035   $a(SSID)ssj0000207186
035   $a(PQKBManifestationID)11203426
035   $a(PQKBTitleCode)TC0000207186
035   $a(PQKBWorkID)10236525
035   $a(PQKB)10623576
035   $a(StDuBDS)EDZ0000127559
035   $a(MiAaPQ)EBC380749
035   $a(UkCbUP)CR9781781387757
035   $a(Au-PeEL)EBL380749
035   $a(CaPaEBR)ebr10369614
035   $a(EXLCZ)991000000000541191
100   $a20000508d2000      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 04$aThe musical work$b[electronic resource] $ereality or invention? /$fedited by Michael Talbot
210   $aLiverpool $cLiverpool University Press$d2000
215   $a1 online resource (268 p.)
225 1 $aLiverpool Music Symposium (Series) ;$v1
300   $aDescription based upon print version of record.
311   $a0-85323-825-1 
320   $aIncludes bibliographical references and index.
327   $aTitle Page; Contents; Notes on Contributors; Introduction; 1: Some Thoughts on the Work in Popular Music; 2: Intertextuality and Hypertextuality in Recorded Popular Music; 3: Work-in(g)-Practice: Configurations of the Popular Music Intertext; 4: Work and Recordings:The Impact of Commercialisation and Digitalisation; 5: The Practice of Early-Nineteenth-Century Pianism; 6: Looking Back at Ourselves: The Problem with the Musical Work-Concept; 7: 'The Work':An Evaluative Charge; 8: The Work-Concept and Composer-Centredness
327   $a9: The Musical Artwork and its Materials in the Music and Aesthetics of Busoni10: Re-composing Schubert; 11: 'On the Problems of Dating' or 'Looking Backward and Forward with Strohm'; Index of Musical Compositions and Collections; Index of Personal Names
330   $aLike literature and art, music has 'works'. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.
410  0$aLiverpool Music Symposium (Series) ;$v1.
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic$xHistory and criticism
608   $aElectronic books.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic$xHistory and criticism.
676   $a780.1
676   $a781.1/7
701   $aTalbot$b Mike$g(Michael)$0976131
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910453542703321
996   $aThe musical work$92234394
997   $aUNINA