LEADER 03844nam 2200625 450 001 9910453526003321 005 20200520144314.0 010 $a0-631-19913-6 010 $a1-118-61079-2 010 $a1-118-61078-4 035 $a(CKB)2550000001184166 035 $a(EBL)1598001 035 $a(SSID)ssj0001084830 035 $a(PQKBManifestationID)11591484 035 $a(PQKBTitleCode)TC0001084830 035 $a(PQKBWorkID)11049863 035 $a(PQKB)11405972 035 $a(MiAaPQ)EBC1598001 035 $a(DLC) 2013047905 035 $a(Au-PeEL)EBL1598001 035 $a(CaPaEBR)ebr10828170 035 $a(CaONFJC)MIL563486 035 $a(OCoLC)864418254 035 $a(EXLCZ)992550000001184166 100 $a20140129h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aVictorian poets $ea critical reader /$fedited by Valentine Cunningham 210 1$aChichester, England :$cWiley-Blackwell,$d2014. 210 4$dİ2014 215 $a1 online resource (527 p.) 225 0 $aBlackwell Critical Reader ;$v10 300 $aIncludes index. 311 $a0-631-19914-4 311 $a1-306-32235-9 327 $aCover; Title page; Copyright page; Contributors; Introduction; 1 The Echo and the Mirror en abi?me in Victorian Poetry; Notes; 2 The Mirror's Secret; Notes; 3 Browning's Anxious Gaze; Notes; 4 The Pragmatics of Silence, and the Figuration of the Reader in Browning's Dramatic Monologues; 1; 2; Notes; 5 Dramatic Monologue and the Overhearing of Lyric; I; II; III; IV; Notes; 6 Matthew Arnold's Gipsies; The New Historicism; Intertextual Matters; Victorian Gipsies and "The Scholar-Gipsy"; The Acquisition of Cultural Power; Notes; 7 A New Radical Aesthetic; Notes; 8 Alienated Majesty; Notes 327 $a9 Fact and TactNotes; 10 'A Thousand Times I'd be a Factory Girl'; I; II; III; IV; Notes; Works Cited; 11 'The fruitful feud of hers and his'; 1 Questioning the Subject: Dramatic Monologue; 2 Androgyny; 3 The Disappearance of the Object; 4 Matthew Arnold; Notes; 12 'Eat me, drink me, love me'; Sisterhoods and the Female Gaze; Goblin Market and Feminine Guessiness; Notes; 13 Browning's Corpses; Notes; 14 A E Housman and 'the colour of his hair'; Notes; 15 Tennyson's 'Little Hamlet'; Notes; Works Cited; 16 The Disappointment of Christina G Rossetti; Notes; 17 Stirring 'a Dust of Figures'; Notes 327 $aBibliography 18 'Love, let us be true to one another'; I; II; III; IV; V; Notes; 19 'Poets and lovers evermore'; What's in a Name?; 'The Fearful Mastery of Love'; Fleshly Love and 'A Curve That Is Drawn So Fine'; Notes; 20 Swinburne at Work; Anactoria; Notes; 21 Naming and Not Naming; I. Becoming A Name; II. Not Naming, But Suggesting; Notes; Index 330 $a"Victorian Poets: A Critical Reader features a collection of critical essays focusing on various aspects of Victorian-era poetry from the 1830's to the 1890's. Presents key criticism on Victorian poetry Features contributions from a variety of scholars in the field Illustrates the full range of critical approaches to the Victorian poets, including attention to texts, words, forms, modes, and sub-genres Offers fresh reinterpretations, many driven by contemporary ideological interests, including gender questions, selfhood, and body issues "--$cProvided by publisher. 410 0$aBlackwell Critical Reader 606 $aEnglish poetry$y19th century$xHistory and criticism 608 $aElectronic books. 615 0$aEnglish poetry$xHistory and criticism. 676 $a821/.809 701 $aCunningham$b Valentine$0175063 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453526003321 996 $aVictorian poets$92167026 997 $aUNINA