LEADER 04520nam 2200649 450 001 9910453475503321 005 20200520144314.0 010 $a94-012-0995-2 035 $a(CKB)2550000001182783 035 $a(EBL)1771009 035 $a(SSID)ssj0001108512 035 $a(PQKBManifestationID)11775173 035 $a(PQKBTitleCode)TC0001108512 035 $a(PQKBWorkID)11103650 035 $a(PQKB)11734273 035 $a(MiAaPQ)EBC1771009 035 $a(OCoLC)868282565$z(OCoLC)961624254$z(OCoLC)962625342 035 $a(nllekb)BRILL9789401209953 035 $a(Au-PeEL)EBL1771009 035 $a(CaPaEBR)ebr10826894 035 $a(CaONFJC)MIL562809 035 $a(OCoLC)868282565 035 $a(EXLCZ)992550000001182783 100 $a20140128h20132013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aModernism today /$fedited by Sjef Houppermans [and three others] ; Jan Baetens [and seventeen others], contributors 210 1$aAmsterdam, Netherlands ;$aNew York :$cRodopi,$d2013. 210 4$d©2013 215 $a1 online resource (282 p.) 225 1 $aTextxet ;$v72 300 $aIncludes index. 311 $a90-420-3744-X 311 $a1-306-31558-1 327 $tPreliminary Material --$tWHAT MODERNISM WAS AND IS: BY WAY OF AN INTRODUCTION /$rSascha Sascha and Dirk de Geest --$tTOWARDS MODERNISM /$rHans Bertens --$t?THE WORLD IS A FINE ADVENTUROUS PLACE?: GRAHAM GREENE IN THE 1930's /$rPeter Liebregts --$tSORTIES OR ENTRENCHMENT: ROUSSEL, CREVEL AND ARAGON BETWEEN AVANT-GARDE AND ARRI?E-GARDE /$rSjef Houppermans --$tINTELLECTUAL SCEPTICISM VERSUS AVANT-GARDE BRAGGING: MODERNISM IN DUTCH LITERATURE /$rJacqueline Bel --$t?THE FINAL CATHOLIC?: PAUL VAN OSTAIJEN, AND THE CATHOLIC R?EIL AROUND THE FIRST WORLD WAR /$rGeert Buelens --$tARRI?E-GARDE PERSPECTIVES ON THE HISTORY OF MODERN LITERATURE: THE CASE OF THE NETHERLANDS (1880-1940) /$rKoen Rymenants , Tom Sintobin and Pieter Verstraeten --$tHOW MODERNISM DISAPPEARED FROM FEDOR GLADKOV?S CEMENT BETWEEN 1924 AND 1958 /$rArthur Langeveld --$tBIOCOSMISM AND THE RUSSIAN AVANT-GARDE: A LITERARY CUL-DE-SAC OR THE ROAD TO IMMORTALITY? /$rOtto Boele --$tTEN TIMES PESSOA /$rPaulo de Medeiros --$tMODERNISM IN GREEK LITERATURE (1910-1940) /$rHero Hokwerda --$tFUN HOME: ITHACA, PENNSYLVANIA /$rJan Baetens --$tA MODERNIST ?ATTEMPT AT CINEMA?: THE ?IMPURITY? OF PIERROT LE FOU /$rPeter Verstraten --$tMODERNISM AND THE ART OF PRINTING: TRANSITION AND CAROLUS VERHULST /$rPeter de Voogd --$tTHE (POST)MODERN MUSIC OF EDGARD VAR?E /$rMarcel Cobussen --$tNOTES ON CONTRIBUTORS --$tINDEX. 330 $aThis book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as ?middlebrow?, ?arrière-garde?, and to some extent even ?avant-garde?, were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually. 410 0$aText (Rodopi (Firm)) ;$v72. 606 $aModernism (Literature) 606 $aModernism (Literature)$zEurope 606 $aEuropean literature$y20th century$xHistory and criticism 608 $aElectronic books. 615 0$aModernism (Literature) 615 0$aModernism (Literature) 615 0$aEuropean literature$xHistory and criticism. 676 $a809.9112 701 $aHouppermans$b Sjef$0464908 701 $aBaetens$b Jan$0176316 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453475503321 996 $aModernism today$91927155 997 $aUNINA