LEADER 03026nam 2200613 450 001 9910453465203321 005 20200520144314.0 010 $a0-520-28010-5 010 $a0-520-95726-1 024 7 $a10.1525/9780520957268 035 $a(CKB)2550000001136926 035 $a(EBL)1495631 035 $a(OCoLC)861559591 035 $a(SSID)ssj0001047763 035 $a(PQKBManifestationID)12471003 035 $a(PQKBTitleCode)TC0001047763 035 $a(PQKBWorkID)11160091 035 $a(PQKB)10166929 035 $a(MiAaPQ)EBC1495631 035 $a(DE-B1597)520068 035 $a(DE-B1597)9780520957268 035 $a(Au-PeEL)EBL1495631 035 $a(CaPaEBR)ebr10786985 035 $a(CaONFJC)MIL536628 035 $a(EXLCZ)992550000001136926 100 $a20131107d2014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTribal modern $ebranding new nations in the arab gulf /$fMiriam Cooke 210 1$aBerkeley, California :$cUniversity of California Press,$d2014. 210 4$dİ2014 215 $a1 online resource (223 p.) 300 $aDescription based upon print version of record. 311 $a0-520-28009-1 311 $a1-306-05377-3 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction --$t1. Uneasy Cosmopolitanism --$t2. Pure Blood and the New Nation --$t3. The Idea of the Tribe --$t4. The Brand --$t5. Building the Brand --$t6. Heritage Engineering --$t7. Performing National Identity --$t8. Gendering the Tribal Modern --$tConclusion --$tAcknowledgments --$tNotes --$tReferences --$tIndex 330 $aIn the 1970's, one of the most torrid and forbidding regions in the world burst on to the international stage. The discovery and subsequent exploitation of oil allowed tribal rulers of the U.A.E, Qatar, Bahrain, and Kuwait to dream big. How could fishermen, pearl divers and pastoral nomads catch up with the rest of the modernized world? Even today, society is skeptical about the clash between the modern and the archaic in the Gulf. But could tribal and modern be intertwined rather than mutually exclusive? Exploring everything from fantasy architecture to neo-tribal sports and from Emirati dress codes to neo-Bedouin poetry contests, Tribal Modern explodes the idea that the tribal is primitive and argues instead that it is an elite, exclusive, racist, and modern instrument for branding new nations and shaping Gulf citizenship and identity-an image used for projecting prestige at home and power abroad. 606 $aEthnology$zPersian Gulf States 607 $aPersian Gulf States$xSocial life and customs 608 $aElectronic books. 615 0$aEthnology 676 $a306.09536 700 $aCooke$b Miriam$0658450 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453465203321 996 $aTribal modern$92447145 997 $aUNINA LEADER 04706nam 2200613 450 001 9910824284403321 005 20230721032659.0 010 $a0-8093-8739-5 010 $a1-4356-6344-6 035 $a(CKB)1000000000537407 035 $a(EBL)1365221 035 $a(SSID)ssj0000095758 035 $a(PQKBManifestationID)11145014 035 $a(PQKBTitleCode)TC0000095758 035 $a(PQKBWorkID)10075581 035 $a(PQKB)10343890 035 $a(MiAaPQ)EBC1365221 035 $a(OCoLC)246668570 035 $a(MdBmJHUP)muse31510 035 $a(Au-PeEL)EBL1365221 035 $a(CaPaEBR)ebr10754332 035 $a(CaONFJC)MIL514112 035 $a(OCoLC)857365417 035 $a(EXLCZ)991000000000537407 100 $a20070417d2008 ub| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$a43 ways to finance your feature film $ea comprehensive analysis of film finance /$fJohn W. Cones 205 $aThird edition. 210 1$aCarbondale :$cSouthern Illinois University Press,$d2008. 215 $a1 online resource (386 p.) 300 $aDescription based upon print version of record. 311 $a1-299-82861-2 311 $a0-8093-2693-0 320 $aIncludes bibliographical references (pages 331-357) and index. 327 $aCover; Title Page; Copyright; Contents; Preface; Introduction: No Single Best Way; Part One: Subsidies; 1. Gifts and Grants; 2. Domestic Government Subsidies and Tax Incentives; Part Two: Investor Financing; 3. The Investor-Financing Agreement; 4. General Partnerships and Joint Ventures; 5. The Initial Incorporation; 6. The Member-Managed LLC; 7. The Manager-Managed LLC; 8. Limited Partnerships; 9. Corporate Finance; 10. Statutory Exemptions of the 1933 Securities Act, Section 4; 11. Intrastate Offering Exemption; 12. Regulation D; 13. Public/Private (Hybrid) Exemptions 327 $a14. Small Corporate Offering Registration 15. Regulation A; 16. Regulation S-B; 17. S-1 Public Offerings; 18. Over-the-Counter, NASDAQ and Stock Exchanges; Part Three: Lender Financing; 19. Lender Financing without Distributor Contracts; 20. Negative Pickups and the Artificial Version; 21. Presale Financing; 22. Gap and Supergap Financing; 23. Insurance-Backed Schemes; 24. Securitization; Part Four: Studio/Industry Financing; 25. Studio Development and In-House Production; 26. Studio Production-Financing/Distribution Agreements; 27. Studio-Based Production Companies 327 $a28. Independent Distributors 29. Domestic Studio Facilities; 30. Film Laboratories; 31. Talent Agencies; 32. Actor Financing; 33. Product Placements; 34. End Users; 35. Completion Funds; Part Five: International Finance Options; 36. Foreign Equity; 37. International Coproductions; 38. Foreign Tax Shelters and Tax Incentives; 39. Blocked Currency or Blocked Funds; 40. Foreign Currency; 41. Foreign Below-the-Line or Facilities Deals; 42. Foreign Government Subsidies; 43. Foreign Debt Capitalization Programs; Conclusion: The Broader Film Finance Environment; Appendix A: Finding Investors 327 $aAppendix B: Limited-Use Business Plans Appendix C: Financial Projections; Appendix D: Securities Marketing Considerations; Sources and Further Reading; Index; Author Bio; Back Cover 330 $aAuthor Cones breaks financing options down into six main areas: gifts and grants, investor financing, domestic government subsidies and tax incentive programs, lender financing, international finance options, and studio or industry financing. Beginning with the forms of financing most likely to be accessible to independent feature film producers, Cones proceeds to other forms that become increasingly available as the producer's career matures. He provides specific, concise information regarding the many possible strategies and lists the distinct pros and cons of each strategy. Cones also counters much of the bad advice being provided by pseudoprofessional film finance consultants and points out scams that may separate unwary film producers from their money. Although the book focuses on financing feature films, much of its information is relevant to the financing of other kinds of projects, such as short films, documentaries, videos, and multimedia and theatrical endeavors.--From publisher description. 606 $aMotion picture industry$xFinance 615 0$aMotion picture industry$xFinance. 676 $a384/.83 700 $aCones$b John W$0901352 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824284403321 996 $a43 ways to finance your feature film$93929794 997 $aUNINA