LEADER 05705nam 2200673 450 001 9910453395903321 005 20200520144314.0 010 $a0-8135-6455-7 024 7 $a10.36019/9780813564555 035 $a(CKB)2550000001188945 035 $a(EBL)1598092 035 $a(SSID)ssj0001113624 035 $a(PQKBManifestationID)12411102 035 $a(PQKBTitleCode)TC0001113624 035 $a(PQKBWorkID)11177388 035 $a(PQKB)11641934 035 $a(MiAaPQ)EBC1598092 035 $a(OCoLC)869093982 035 $a(MdBmJHUP)muse27716 035 $a(DE-B1597)529929 035 $a(DE-B1597)9780813564555 035 $a(Au-PeEL)EBL1598092 035 $a(CaPaEBR)ebr10828499 035 $a(CaONFJC)MIL568267 035 $a(EXLCZ)992550000001188945 100 $a20140203h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWired TV $elaboring over an interactive future /$fedited by Denise Mann 210 1$aNew Brunswick, New Jersey ;$aLondon, [England] :$cRutgers University Press,$d2014. 210 4$d©2014 215 $a1 online resource (306 p.) 300 $aIncludes index. 311 $a0-8135-6454-9 311 $a1-306-37016-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: When Television and New Media Work Worlds Collide /$rMann, Denise --$t1. Authorship Up for Grabs: Decentralized Labor, Licensing, and the Management of Collaborative Creativity /$rJohnson, Derek --$t2. In the Game: The Creative and Textual Constraints of Licensed Video Games /$rGray, Jonathan --$t3. Going Pro: Gendered Responses to the Incorporation of Fan Labor as User-Generated Content /$rBrooker, Will --$t4. Labor of Love: Charting The L Word /$rRusso, Julie Levin --$t5. The Labor Behind the Lost ARG: WGA's Tentative Foothold in the Digital Age /$rMann, Denise --$t6. Post-Network Reflexivity: Viral Marketing and Labor Management /$rCaldwell, John T. --$t7. Fan Creep: Why Brands Suddenly Need "Fans" /$rKozinets, Robert V. --$t8. Outsourcing The Office /$rClarke, M. J. --$t9. Convergent Ethnicity and the Neo-Platoon Show: Recombining Difference in the Post-Network Era /$rBrook, Vincent --$t10. Translating Telenovelas in a Neo-Network Era: Finding an Online Home for MyNetwork Soaps /$rMartínez, Katynka Z. --$t11. The Reign of the "Mothership": Transmedia's Past, Present, and Possible Futures /$rJenkins, Henry --$tNotes on Contributors --$tIndex 330 $aThis collection looks at the post-network television industry's heady experiments with new forms of interactive storytelling-or wired TV-that took place from 2005 to 2010 as the networks responded to the introduction of broadband into the majority of homes and the proliferation of popular, participatory Web 2.0 companies like Facebook, YouTube, and Twitter. Contributors address a wide range of issues, from the networks' sporadic efforts to engage fans using transmedia storytelling to the production inefficiencies that continue to dog network television to the impact of multimedia convergence and multinational, corporate conglomeration on entrepreneurial creativity. With essays from such top scholars as Henry Jenkins, John T. Caldwell, and Jonathan Gray and from new and exciting voices emerging in this field, Wired TV elucidates the myriad new digital threats and the equal number of digital opportunities that have become part and parcel of today's post-network era. Readers will quickly recognize the familiar television franchises on which the contributors focus- including Lost, The Office, Entourage, Battlestar Gallactica, The L Word, and Heroes-in order to reveal their impact on an industry in transition. While it is not easy for vast bureaucracies to change course, executives from key network divisions engaged in an unprecedented period of innovation and collaboration with four important groups: members of the Hollywood creative community who wanted to expand television's storytelling worlds and marketing capabilities by incorporating social media; members of the Silicon Valley tech community who were keen to rethink television distribution for the digital era; members of the Madison Avenue advertising community who were eager to rethink ad-supported content; and fans who were enthusiastic and willing to use social media story extensions to proselytize on behalf of a favorite network series. In the aftermath of the lengthy Writers Guild of America strike of 2007/2008, the networks clamped down on such collaborations and began to reclaim control over their operations, locking themselves back into an aging system of interconnected bureaucracies, entrenched hierarchies, and traditional partners from the past. What's next for the future of the television industry? Stay tuned-or at least online. Contributors: Vincent Brook, Will Brooker, John T. Caldwell, M. J. Clarke, Jonathan Gray, Henry Jenkins, Derek Johnson, Robert V. Kozinets, Denise Mann, Katynka Z. Martínez, and Julie Levin Russo 606 $aTelevision broadcasting$zUnited States 606 $aInteractive television$zUnited States 606 $aSocial media$zUnited States 606 $aMass media$zUnited States 608 $aElectronic books. 615 0$aTelevision broadcasting 615 0$aInteractive television 615 0$aSocial media 615 0$aMass media 676 $a384.3/1 701 $aMann$b Denise$0877388 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453395903321 996 $aWired TV$92485121 997 $aUNINA