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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aSentimental opera $equestions of genre in the age of bourgeois drama /$fStefano Castelvecchi$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2013.
215   $a1 online resource (xix, 277 pages) $cdigital, PDF file(s)
225 1 $aCambridge studies in opera
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-63214-5 
311   $a1-306-07217-4 
320   $aIncludes bibliographical references and index.
327   $aA prologue on genre -- Pamela goes to the opera -- The emergence of bourgeois drama -- The codification of bourgeois drama -- Opera as drame -- Sensibility and the moral cure -- A sentimental opera -- Sentimental, anti-sentimental -- Avenues.
330   $aSentimental Opera is a study of the relationship between opera and two major phenomena of eighteenth-century European culture - the cult of sensibility and the emergence of bourgeois drama. A thorough examination of social and cultural contexts helps to explain the success of operas such as Paisiello's Nina as well as the extreme emotional reactions of their audiences. Like their counterparts in drama, literature and painting, these works brought to the fore serious contemporary problems including the widespread execution of deserters, the treatment of the insane, and anxieties relative to social and familial roles. They also developed a specifically operatic version of the dominant language of sensibility. This wide-ranging study involves such major cultural figures as Goldoni, Diderot and Mozart, while refining our understanding of the theatrical genre system of their time.
410  0$aCambridge studies in opera.
606   $aOpera$y18th century
606   $aDomestic drama$xHistory and criticism
615  0$aOpera
615  0$aDomestic drama$xHistory and criticism.
676   $a782.109/033
700   $aCastelvecchi$b Stefano$f1960-$0625189
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801  1$bUkCbUP
906   $aBOOK
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996   $aSentimental opera$91905084
997   $aUNINA